Art Watch Radio Podcast with Elaine Crivelli and Leslie Kaufman on December 4, 2024

Artur Silva, All Threats Came in Waves, 2024, Yoga mannequins, ghillie suits, LCD monitors, vinyl, photo by Marly Massey


December 4, 2024

Amie Potsic interviews Elaine Crivelli and Leslie Kaufman about the exhibition In Pursuit, which they curated at the National Liberty Museum in Philadelphia highlighting artists’ views on democracy.


Elaine Crivelli is an artist, educator, curator and writer. Her artwork has been exhibited internationally in England and China, throughout the United States and is currently in a traveling exhibition, Collective Concerns, that will travel to six venues across the US. Her work is in numerous collections including the Free Library of Philadelphia, The American School in England and the Addison Gallery of American Art. She taught at University of the Arts, Savannah College of Art and Design and Kutztown University, chaired two art departments; American School in London and Phillips Academy, Andover and she was a visiting artist/lecturer at venues in Italy, England, France. Her early role as gallery director at the Painted Bride Art Center in the mid-eighties led to independent curatorial projects and more recent exhibitions curated for Philadelphia Sculptors, including Shelter, 2018, DaVinci Art Alliance; Flow, 2019, co-curated with Leslie Kaufman, an international exhibition of floating sculptures at Independence Seaport Museum. Her most recent project, also co-curated with Leslie Kaufman and in collaboration with the National Liberty Museum, Philadelphia, entitled In Pursuit: Artists’ Perspectives on a Nation, ran from May 9-October 28.



Leslie Kaufman is the founder and president of Philadelphia Sculptors, a professional organization of sculptors based in Philadelphia. In that role she has organized and/or curated over 80 international, regional and local exhibitions, programs and a regional sculpture conference.  She was a college counselor for 25 years at Burlington County College in Pemberton, New Jersey, where she also established and directed the Burlington County College Sculpture Garden that was in operation for 20 years. Leslie was an adjunct professor of art for 30 years and is an arts writer and producing sculptor with a long exhibition history. She recently wrote and published a children's book, Gracie: The Tale of a Very Special Sea Monster. Leslie is always interested in finding imaginative ways to see how art can be used to help provide new perspectives on social and environmental problems.  She received her BA in English from Colgate University, MEd in Counseling Psychology from Teachers College, Columbia University, and MFA in Visual Arts from Vermont College.


IN PURSUIT: artists’ perspectives on a nation

An exhibition presented at the National Liberty Museum in Philadelphia in 2024, curated by Elaine Crivelli and Leslie Kaufman for Philadelphia Sculptors.

 

Arghavan Khosravi, The Flight, 2024, Acrylic on canvas over wood panel, acrylic on shaped wood panel, golden chain, photo by Marly Massey

Angel Cabrales, The Pursuit of Happiness: A Venture in Migration, 2024, Mixed media, 3D printing, laser cut acrylic, wood, steel, lights, video, photo credit: Marly Massey

Marisa Williamson, Seedbed V, 2024,Fabric, found objects and materials, cardboard, electric lights, video This work was created in collaboration with students from U of Virginia; Grace Do, Ava Foulk, Alyssa Manalo, and Jhordawna Richa., photo by Marly Massey.

Nicholas Galanin, Neon American Anthem, Blue, 2024 Neon, Photo by Marly Massey

Anila Quayyum Agha, This is NOT a Refuge! 2019, Laser-cut and resin-coated aluminum, photo by Marly Massey


To learn more about Philadelphia Sculptors visit, https://philasculptors.org/

To learn more about In Pursuit at the National Liberty Museum visit, https://libertymuseum.org/exhibits/in-pursuit-artists-perspectives-on-a-nation/

 
 

Art Watch Radio Podcast with Patricia Ingersol on November 13, 2024

Patricia Ingersol, Platform,  Acrylic,  27×27, 2019, Inspired by the Coastline of Maine and County Mayo, Ireland, photo by Jack Ramsdale


November 13, 2024

Amie Potsic interviews Patricia Ingersol about her experience making art about disappearing seastacks in Ireland and Maine and her solo show exhibiting the work at Holy Family University Art Gallery.


Ingersoll is the recipient of several Fellowships, including, most recently, a 2018 Fellowship and Residency at VA Center for the Creative Arts and a Fellowship at the Ballinglen Arts Foundation in Ballycastle, Ireland, and an upcoming residency at the Ballinglen Arts Foundations.  She received an invitation to be an artist in residence at the American Academy in Rome. She is currently represented by the Artemis Gallery in Maine.  Her work is in many collections.

 From 1992-2004 she was a lead muralist for the internationally famous Philadelphia Mural Arts Program.  Ingersoll created 8 city murals for the Mural Arts Program and is featured in the first two mural books by Temple Press.

Most recently, she was part of the third year Codex Project, and exhibited her sketch book in an exhibit at the Works on Paper Gallery in March 2023. Her piece is now part of the Ballinglen Arts Foundation Museum in Ballycastle , Ireland

Her most recent exhibition “The Stack”is currently on view at the Holy Family University,  and in the Barbara Crawford Gallery in “Visions of the Wissahickon. Upcoming exhibit: Divergent Landscape at Wallingford Art Center. She lives in Philadelphia.

Patricia Ingersol, Green Foam,  Acrylic on paper,  21x21, 2020, Ireland, photo by Jack Ramsdale


PATRICIA INGERSOL: THE STACK

Patricia Ingersol, Seastacks,  Acrylic on paper,  21x21, 2020, Ireland, photo by Jack Ramsdale

Patricia Ingersol, Untitled, Charcoal, 21x21, 2024, photo by Jack Ramsdale

Patricia Ingersol, Dawn, Pastel, 10x10, 2024, photo by Jack Ramsdale

Patricia Ingersol, Mist, Acrylic,14x14, 2024, Maine, photo by Jack Ramsdale

Patricia Ingersol, Cracking, Acrylic, 15x15, 2022, photo by Jack Ramsdale


To learn more about Patricia Ingersol visit, http://tishingersoll.com/

 
 

Art Watch Radio Podcast with Bruce Katsiff on October 30, 2024

Daniel Garber, A Wooded Watershed, 1926 being installed at James A. Michener Art Museum


October 30, 2024

Amie Potsic interviews Bruce Katsiff about his experience building the art collection for the James A. Michener Art Museum as the Founding Director.


 

Bruce Katsiff is an accomplished photographer whose poignant and varied work encompasses environmental portraiture, collage, and carefully curated constructions of bones and decay.  Seeing elegance beyond the surface, Katsiff’s work reveals complexity and empathy as well as a virtuosity with camera and darkroom.  His Platinum Palladium and Gelatin Silver prints made with a 20” x 24” view camera are a testament to the manner in which his work combines science with the magical and unknowable beyond the lens.

Katsiff earned his BFA from the Rochester Institute of Technology and his MFA from Pratt Institute.  His work has been exhibited at the Museum of Modern Art and is held in the collections of the Museum of Fine Arts Houston, the Pennsylvania Academy of the Fine Arts, and the Philadelphia Museum of Art.   Katsiff has published two monographs on his work, with Nature Morte accompanying his solo exhibition at the Delaware Art Museum. 

Born in Philadelphia where he attended Central High School, Bruce Katsiff went on to study photography at Rochester Institute of Technology and completed graduate work at Pratt Institute, earning BFA and MFA degrees. He also attended postgraduate studies at Oxford University. His work has been exhibited in museums and galleries including the Museum of Modern Art, the Philadelphia Museum of Art, and the Pennsylvania Academy of Fine Art. For 25 years, he taught photography and from 1989 to 2012 served as Director/CEO of the James A. Michener Art Museum.

 

 

bruce katsiff: River Town Portraits

Click here to view the Virtual Exhibition

© Bruce Katsiff, Kenneth Bergram, artist and his wife, 1972, Gelatin Silver Print, 7 x 9 inches

© Bruce Katsiff, Val and Mai Sigstedt, 1972, Gelatin Silver Print, 8 x 10 inches

© Bruce Katsiff, Steve and Paula with friend, Gelatin Silver Print, 9 x 7 inches, 1972

© Bruce Katsiff, Bob and Lillian Russell, two Lithuanian souls, 1972, Gelatin Silver Print, 8 x 10 inches


To learn more about Bruce Katsiff visit, www.brucekatsiff.com.

 
 

Art Watch Radio Podcast with Simone Spicer on October 9, 2024

© Simone Spicer, The End Of The Age Of Innocence On The Great Wave Off Kanagawa, Bas Relief papier mache tidal wave and plastic action figures riding the wave on surfboards and in boats, 8 x 8 x 3 feet, 2021


October 9, 2024

Amie Potsic interviewed artist Simone Spicer about her environmental art made from recycled materials and her solo exhibition at iMOCA in Philadelphia.


 

This exhibition, Past>NOW<Future, features selected sculptural works and paintings by Simone Spicer. These works together, reveal a process of evolution through experimentation with materials catalyzed by emotional response to social and environmental injustices in our time. Simone’s artwork is an extension of the Arte Povera movement and of the broader tradition of creating art from refuse throughout the 20th century and continuing today; exploiting, as Robert Rauschenberg was once quoted, “gifts from the street”. Compassion for the human condition and the belief that visual art can spur on collective healing is at the heart of Simone Spicer’s work. She says about this topic:

“I believe healing happens when the artist’s primary goal is to connect with others through shared experience, storytelling and wonderment at being alive here on planet Earth! I am drawn to materials that challenge and disrupt traditional values of commercialized art, and that reinforce my images and speak of our culture and time specifically. I am continually inspired to transform throwaway, post consumer packaging containers, as they express so much about contemporary society; our values, our habits, our technologies and our mastery over nature, while conversely reminding us of our obliviousness to the natural world and our separateness from it and from all of human history. I love materials; shapes, colors, textures, transparencies, translucencies, densities, dimension and lack of, and I want an endless supply of materials surrounding me so I always feel free to experiment. I love multiple images and repetition of form, and variations on a theme, and building methods that are curiously child-like and sophisticated. I see the empty container, or vessel as a metaphor for the self as I collaborate, this creative self, with materials that embody the mysteries of the hands and homes of others that once held them, and the mysteries of the science, technology, chemistry, and industries that created them. This is rich for me. “

Simone Spicer with her post-consumer plastic artwork. Image courtesy of the artist.

Simone Spicer is a sculptor from the Philadelphia area whose work made from our culture’s unprecedented waste materials comments on our precarious relationship with the natural world. Her education includes a BFA in Sculpture from the Maine College of Art, an MFA in sculpture from the University of North Carolina, and she received a full scholarship to attend The Skowhegan School of Painting and Sculpture. “Simone Spicer recombines familiar objects, post-consumer goods, in unexpected ways; playfully revealing the innocence of humanity, while addressing our dire need for change.” Spicer’s recent works in recycled materials have been shown at the Philadelphia Museum of Art, the Philadelphia Seaport Museum, the Woodmere Museum of Art, and in the Philadelphia International Airport, exhibiting her installation titled, “Plastic Galactic”.

Much of Spicer’s work has been in partnership with other artist-activists in Philadelphia, New Jersey and New York, informing the public about climate change through events such as “Art in The Open” in Philadelphia and “Fear Environmental Mayhem Ahead”, at the IceBox Project Space in Philadelphia. She is currently participating in a traveling exhibit on view at Yale University’s Institute of Sacred Music and the ‘Peace Boat’ docked in Chelsea, NY. She has served on many panels with artists and scientists reporting on climate change, and addressing how artists are handling our predicament. Simone believes her work to be a message of hope for humanity in our time.

 


Simone Spicer

Past > NOW < Future

On view from October 20 – November 10, 2024 at the Interactive Museum of Contemporary Art (iMOCA)

Click here to learn more about the exhibition events.

 

© Simone Spicer, Fallen Hero, Painted corrugated cardboard, rubble, 85 x 36 x 40 inches, 2010

© Simone Spicer, Persistence of the Heart (side view), painted corrugated cardboard and various packaging materials, 44 x 25 x 22 inches, 2024

© Simone Spicer, Piece for Peace, Painted corrugated cardboard, hanging paper cranes, 24 x 30 x 35 inches, 2010

© Simone Spicer, Street Person I, Painted corrugated cardboard, 51 x 15 x 36 inches, 2001

© Simone Spicer, Dancing Shiva on the Demon, mixed media, LED lighting, 65 x 46 x 22 inches, 202


To learn more about Simone Spicer visit, www.simonespicer.com

Banner Image: © Simone Spicer, The End Of The Age Of Innocence On The Great Wave Off Kanagawa, Bas Relief papier mache tidal wave and plastic action figures riding the wave on surfboards and in boats, 8 x 8 x 3 feet, 2021

 
 

Art Watch Radio Podcast with John Singletary on September 18, 2024

Book Cover Image, TRACES by John Singletary © John Singletary 2024


September 18, 2024

Amie Potsic interviews artist John Singletary about his new book titled Traces and how it examines the cycles of life and human values.


 

© John Singletary, Still Frame from “Traces”, Still Frame from Video Capture, 22:45 Minute Multi-Channel Video/Sound Installation on Six OLED Panel, Pigment Print 20” x 30”, 2023

John Singletary is a photographer and multimedia artist based in Philadelphia, PA, whose installations are visual, intellectual, and sensory experiences. His work uniquely combines black and white photography, video, animation, and technology in a manner that explores our shared humanity. He received a Bachelor of Fine Arts in Photography from The University of the Arts and studied photography at the Community College of Philadelphia. His work has been collected by the Philadelphia Museum of Art, The Center for Fine Art Photography as well as other institutional and private collections. He has exhibited at the Pennsylvania State Museum, LG Tripp Gallery, The James Oliver Gallery, The Sol Mednick Gallery and The Delaware Contemporary Museum. His work has been reviewed and/or featured in Lenscratch Magazine, L’Oeil de la Photographie, the Od Review, Movers and Makers (WHYY) and the Philadelphia Inquirer.  Singletary was a featured lecturer in the 2021 Atlanta Celebrates Photography Festival and is a contributing writer for The Photo Review Journal.

 


John singletary: traces

Published by Daylight Books

The imagery and vignettes in this ongoing multimedia work use video, digital and stop motion animation, historical footage, and audio to depict the extraordinary light and darkness in the human condition and life events such as the genesis of our existence, and the purpose we serve to each other and ourselves.

The familiar and unpredictable illustrate the cycles of life across cultural barriers. Surveying the myriad and disjointed experiences that make up a life, Traces explores the way we construct our internal narratives and create meaning from experience. The audio component consists of a series of anonymously conducted interviews with a range of participants. The perspectives chosen reveal the universality and individuality of values, the intersectionality of symbolism across cultures, our lineages, and the perpetual cycles of life.


Buy the Book:
https://daylightbooks.org/products/traces

 

© John Singletary, The Fall (still Frame from “Traces”), Still Frame from Video Capture, 22:45 Minute Multi-Channel Video/Sound Installation on Six OLED Panel, Pigment Print 20” x 30”, 2023

© John Singletary, Blinders (still Frame from “Traces”), Still Frame from Video Capture, 22:45 Minute Multi-Channel Video/Sound Installation on Six OLED Panel, Pigment Print 20” x 30”, 2023

© John Singletary, Triptych (still Frame from “Traces”), Still Frame from Video Capture, 22:45 Minute Multi-Channel Video/Sound Installation on Six OLED Panel, Pigment Print 20” x 30”, 2023

© John Singletary, Kiss (still Frame from “Traces”), Still Frame from Video Capture, 22:45 Minute Multi-Channel Video/Sound Installation on Six OLED Panel, Pigment Print 20” x 30”, 2023


To learn more about John Singletary visit, www.johnsingletaryimaging.com.

 
 

Art Watch Radio Podcast with Patricia Diart on September 4, 2024

Book Cover Image, No Solid Ground by Patricia Diart © Patricia Diart 2024


September 4, 2024

Amie Potsic will interview Patricia Diart to discuss her new book, "No Solid Ground" awarded to her through the Kite Prize for Contemporary Art.


 

© Patricia Diart, Image from performance/kneel-in at the Metropolitan Museum of Art, NY, NY, September 30th. Photograph by Reuben Radding

Patricia Diart has presented performances, installations, and conceptual works nationally and internationally since 2001. She has exhibited in the San Francisco Bay Area at venues including The Lab, New Langton Arts, and the San Francisco Arts Commission. She received her MFA at the San Francisco Art Institute and did her undergraduate work at Moore College of Art and Design.  The San Francisco Chronicle and The Star Tribune, Minneapolis published articles about her current artwork, The Cape, in 2021 and 2022. Surreptitiously, she has performed The Cape at The Walker Art Center, Minneapolis, Seattle Asian Art Museum, and SFMOMA among other established museums. Internationally, Diart has performed in Havana, Cuba, and exhibited in Berlin and Saarbrücken, Germany as well as in Slovenia. She has also received awards from the Goethe Institute and the San Francisco Arts Commission. In 2021, her writing was selected by Kim Shuck, Poet Laureate, for Poem of the Day presented by the San Francisco Public Library. She received an Individual Artist Grant from the San Francisco Arts Commission and was The Kite Prize winner in 2023.

 


PATRICIA DIART: NO SOLID GROUND

No Solid Ground by Patricia Diart was published by Amie Potsic Art Advisory and Kite Press as Diart's award for winning the Kite Prize for Contemporary Art in 2023.

 
 

An accomplished artist and writer, Diart was born in France, grew up in Baltimore, Maryland, and lives in San Francisco, California.  No Solid Ground by Patricia Diart is a journey through the artistic endeavors of the daring performance artist throughout her career and is published as an award for the artist winning the 2023 Kite Prize for Contemporary Art.  The monograph guides us through a series of narratives and public interactions that explore physical endurance and cultural turning points.  Outraged by the murder of George Floyd and feeling kinship with the Black Lives Matter and Me-Too movements, Diart was compelled to face her own treacherous experience with violence and racism.  Sharing her personal story of police brutality, Diart provokes and questions the myriad institutions of power that turn a blind eye to the callous methods of police enforcement.  Through daring performance and examinations of the absurd, Patricia Diart’s oeuvre elicits joy, humor, and heartbreak.  Her artistic practice utilizes a variety of approaches including photography, video, sculpture, performance, writing, and animation.  As an urban flaneur, documentarian, and performance artist, Diart is driven by the desire to connect with the social fabric of our world while embracing the absurdity of human existence.  Her work is an ongoing vacillation between destruction and repair, love and loss, amusement and outrage.  We are invited to connect with humanity vicariously through her profound, fumbling, and futile attempts at intimacy. 

 

© Patricia Diart, Image from performance/kneel-in at the California’s state capital building, Sacramento, CA, August 17th. Photograph by Chris Tuite

© Patricia Diart, Metropolitan Museum of Art, September 30th, 2021, NY, NY. Photograph by Reuben Radding

© Patricia Diart, Baltimore Circuit Court, Baltimore, MD, October 6th, 2022, Photograph by Larry Cohen

#200004253621 , 2436 Great Highway, Use: Apartments, Demolished: February, 2001
© Patricia Diart 2001

Untitled photograph from The Death of Kamikaze Clayton, Pinhole camera, 2001, © Patricia Diart 2001


The Kite Prize for Contemporary Art Award, an international visual art award, was established to recognize innovative visual artists and creatives who demonstrate exceptional commitment to their work.  The award is juried by Amie Potsic Art Advisory, LLC choosing a winning artist based on artistic excellence, creative accomplishment, and cultural significance.  There will be three Kite Prize Awardees and Artists Selected for the Virtual Merit Exhibition in addition to the chosen Grand Prize Winner. For any questions about the application process, please email info@amiepotsicartadvisory.com.

Are you our next Kite Prize Winner?


Apply to the Kite Prize:

https://www.amiepotsicartadvisory.com/the-kite-prize-for-contemporary-art


To learn more about Patricia Diart’s artwork, visit her website.

Banner image: © Patricia Diart, Image from performance/kneel-in at Central Police Station, February 8th, 2021. Photograph by Chris Tuite

 
 

Art Watch Radio Podcast with Nancy Hellebrand on June 5, 2024

Nancy Hellebrand, Studio view © Nancy Hellebrand, 2024


June 5, 2024

Amie Potsic interviews photographer Nancy Hellebrand about her solo exhibition EVERYBODYBEAUTIFUL at The Print Center in Philadelphia.  Hellebrand's work investigates the evolving beauty of the aging female body in intimate and exquisite prints on unconventional materials.


 

Nancy Hellebrand © Image courtesy of Amie Potsic

Nancy Hellebrand is a trailblazing figure in photography, celebrated for her exhibitions in prestigious institutions like the Philadelphia Museum of Art, Tate Liverpool, and MoMA in New York. Notably, her solo showcase at the National Portrait Gallery in London marked a historic first for an American artist and a living woman.

Her works grace collections at MoMA, the Philadelphia Museum of Art, and the Yale University Art Gallery. Influenced by luminaries such as Alexey Brodovitch and Bill Brandt, Hellebrand's artistry is characterized by a profound commitment to empathy and understanding.

As an educator at Yale University and Parsons The New School for Design, Hellebrand's impact extends beyond her art. She's been honored with fellowships from the Guggenheim Foundation and the National Endowment for the Arts, further solidifying her legacy.

In her ongoing series, "Naked," Hellebrand challenges norms and celebrates the beauty of aging through striking portraits of nude older women, inviting viewers to reconsider conventional ideals.

Nancy Hellebrand's visionary approach continues to redefine the boundaries of contemporary photography, inviting viewers on a journey of introspection and empathy.

 

NANCY HELLEBRAND

NANCY HELLEBRAND: EVERYBODYBEAUTIFUL

On view from April 19 - July 20, 2024 at The Print Center

© Nancy Hellebrand 2024

Nancy Hellebrand: EVERYBODYBEAUTIFUL installation view, The Print Center, Philadelphia, PA, 2024 © Amie Potsic 2024

Nancy Hellebrand: EVERYBODYBEAUTIFUL installation view, The Print Center, Philadelphia, PA, 2024 © Amie Potsic 2024

Nancy Hellebrand: EVERYBODYBEAUTIFUL installation view, The Print Center, Philadelphia, PA, 2024 © Amie Potsic 2024


The Print Center, a nonprofit gallery located in Philadelphia’s historic Rittenhouse Square neighborhood, encourages the growth and understanding of photography and printmaking as vital contemporary arts through exhibitions, publications and educational programs. The Print Center is an international voice in print; our global outlook coincides with a strong sense of local purpose. Recognized as a locally significant and internationally respected gallery, an art education provider and an artists’ advocate, The Print Center is known for supporting emerging and established artists; developing unusual and intriguing programs that attract a diverse audience; and making art accessible to all members of the community.


To learn more about Nancy Hellebrand’s artwork, visit her website or follow her on Instagram: @nancy_hellebrand.

Banner Image: Nancy Hellebrand’s prints and plaster artworks © Nancy Hellebrand 2024

 
 

Art Watch Radio Podcast with Colleen Hammond on April 17, 2024

© Colleen Hammond, Distant, Oil on canvas


April 17, 2024

Amie Potsic interviews artist and art administrator Colleen Hammond about her artwork, her programming at Cheltenham Art Center, and their new Creative Conversation series for artists.


 

Colleen Hammond © Image courtesy of Colleen Hammond

Colleen Hammond was born in the month of March, 1957 and raised in a small New Jersey town. After high school, between 1975 - 1979 she attended and graduated from the Pennsylvania Academy of the Fine Arts where she began her artistic journey following the principles of classical style; centered on notions of elegance, harmony and proportion based on the human figure. She also went on to receive a BFA with a major in Art History from the University of Pennsylvania. In recent years her oil paintings have moved toward abstract realism where mood is the underlying key element. In addition to working in her studio, Colleen was welcomed into the collective art group, Artessa Alliance, an awardwinning Philadelphia area association of women visual artists. Adding collage to her artistic practice has taken her on a journey of healing and experimentation and has forged new communities and connections. She joined Philadelphia CollageWorks (PCW) in 2019, a group of artists that practice and promote the art of collage through education, exhibition and community outreach. Her paintings and collages have been included in many exhibitions, and she has won awards for her work that include the Caroline Gibbons Granger Award and the Berthe M. Goldberg Award of Excellence. Colleen currently resides in South Philadelphia with her supportive husband and Max, the cat. Her son Noah lives nearby and carries on the family tradition of embracing the inherent creative spirit.

Artist Statement
The dictionary defines 'ah' as “an expression used to describe many emotions - delight, relief, regret or contempt”. Our everyday world is filled to the brim with objects, people, and places that demand nothing more from us other than the acknowledgment of their existence. In my work, I am trying to show all the 'ah' that I see. While my affinity with art started with drawing and oil painting, I have added the medium of collage which has taken me on a meditative and playful path serving as a way to set free my anxiety and cope with the world’s current events.  The thread that runs through all my work is a process based in my classical artistic training filtered through my own subconscious spirit and imagination.

This is why I make art - to cope, look inside myself and create a language that will make sense of living in this world.

 

COLLEEN HAMMOND

© Colleen Hammond, For The Sake of The Children, Rollage, 8.75 x 8.5 inches, 2023

© Colleen Hammond, Lifting Meloncholy, Rollage, 8 x 14.5 inches, 2023

© Colleen Hammond, Horseneck Beach, Oil on canvas, 16 x 12 inches, 2020

© Colleen Hammond, Portrait of A Young Woman, Oil on canvas, 16 x 12 inches, 2021


CREATIVE CONVERSATIONS
with Guest Artist Amie Potsic

Sunday, April 28th, 2024 
12:00 - 1:15pm 


*Pre-Registration Required*
CLICK HERE to Register for Amie Potsic's April 28th Creative Conversation

Creative Conversation series is a great opportunity for artists to get feedback from fellow artists and to benefit from the insights of the artist leading the conversation.  The series provides the high level conversation often missing from an adult artist' solo studio practice, building community, confidence, and drive.


For more information and to see the event schedule:
https://cheltenhamarts.org/creative-conversations-aprilmay

Cheltenham Center for the Arts is launching a new series in 2024, Creative Conversations (CC). Their CC series is a wonderful opportunity to meet with artists who work in various mediums and talk about the joys, struggles, questions, inspirations, and technical issues you are dealing with in your creative journey. There will also be opportunities to share your work and receive sensitive and constructive feedback from the visiting artist. This series is not designed as a lecture, but rather an exciting opportunity for artists to come together to talk and share ideas and open new pathways and perspectives. The Cheltenham Center for the Arts hopes the CC series will add another supportive layer to your creative process and looks forward to seeing you at their monthly series starting April 2024.


To learn more about Colleen Hammond’s artwork, visit her website or follow her on Instagram: @colleenhammond.artwork.

Banner Image: © Colleen Hammond, Lifting Meloncholy, Rollage, 8 x 14.5 inches, 2023

 
 

Art Watch Radio Podcast with Arlene Love on February 14, 2024

Arlene Love, Arlene Love: Selections from Seven Decades, Installation View, Interactive Museum of Contemporary Art (iMOCA), Philadelphia, 2024, © Amie Potsic 2024


February 14, 2024

Amie Potsic interviews the legendary artist Arlene Love about her current solo exhibition in Philadelphia and the many highlights of her 70-year-career.


 

Arlene Love: Selections from Seven Decades is a solo exhibition by the renowned Philadelphia artist, Arlene Love, presented at the Interactive Museum of Contemporary Art. The exhibition will feature Love's pioneering sculpture in resin, feminist works in leather, figurative drawing, and photography spanning an accomplished career over 70 years. Love's fascination with the figure and how it articulates the physical, erotic, and political, has held her attention since creating her very first sculpture. Inspired by the language of feminism as well as her own challenging life experiences, Love's work reveals strength and vulnerability through the depiction of the corporeal in the throes of intimacy, violence, joys, and sorrow. 

Arlene Love is an award-winning pioneer in resin sculpture and accomplished painter and photographer with numerous public art installations. For forty years, Love focused on sculpture, with solo shows from New York to California. Her work has been included in juried exhibitions in the Museum of Modern Art (NY), Boston Museum of Art, Sculpture Center (NYC), Herbert F. Johnson Museum of Cornell University, among others. Love’s sculpture is in the collections of The Philadelphia Museum of Art, James A Michener Museum, the University of Scranton and Franklin & Marshall College. In Philadelphia, her bronze Winged Woman is in the garden of the Dorchester facing Rittenhouse Square. Eight Figures, life size bronzes reside permanently in the Kimmel Center. The gold leafed Face Fragment is in front of the Monell Chemical Senses Center at 3500 Market Street.

Love’s focus began shifting toward drawing during the dozen years she and her husband lived in a tiny mountain village near the city of Oaxaca, Mexico. Her drawings, etchings and encaustics were exhibited in Oaxaca galleries and in exhibitions of Oaxaca artists. While in Oaxaca, she also worked in a print taller and created a portfolio of etchings which is in the Linda Lee Alter collection at PAFA.

Meanwhile, Love began taking photographs in her village and in neighboring markets. She loved taking pictures, but hated the darkroom, so she filled old shoe boxes with negatives, wondering why she kept taking pictures. In the year 2000, Love saw the words digital darkroom. Until recently, street photography and candid portraits were her sole passion. She never asked permission. She wanted the person without his or her mask. The present is just an illusion. As soon as the shutter snaps it's past. Her photograph of Old Lee is in the collection of the Philadelphia Museum of Art.

Love has had more than thirty solo shows of sculpture, drawings and photographs, and is the recipient of awards and grants from the Pennsylvania Council on the Arts, Leeway Foundation, Louis Comfort Tiffany Foundation, and Temple University.

Love has now returned to drawing. She wants the feel of pencil and crayon in her hand making tangible marks. Drawing is the magic of discovery.

 

ARLENE LOVE

SELECTIONS FROM SEVEN DECADES

On view from February 9 - March 10, 2024 at the Interactive Museum of Contemporary Art (iMOCA)

Arlene Love, Arlene Love: Selections from Seven Decades, Installation View, Interactive Museum of Contemporary Art (iMOCA), Philadelphia, 2024, © Amie Potsic 2024

Arlene Love, Arlene Love: Selections from Seven Decades, Installation View, Interactive Museum of Contemporary Art (iMOCA), Philadelphia, 2024, © Amie Potsic 2024

Arlene Love, Arlene Love: Selections from Seven Decades, Installation View of Saint Sebastian, Interactive Museum of Contemporary Art (iMOCA), Philadelphia, 2024, © Amie Potsic 2024

Arlene Love, Arlene Love: Selections from Seven Decades, Installation View, Interactive Museum of Contemporary Art (iMOCA), Philadelphia, 2024, © Amie Potsic 2024

Arlene Love, Arlene Love: Selections from Seven Decades, Installation View, Interactive Museum of Contemporary Art (iMOCA), Philadelphia, 2024, © Amie Potsic 2024

Left, Arlene Love with Rosey Crucifixion sculpture circa 1972
Right, Arlene Love with Rosey Crucifixion sculpture 2024, Interactive Museum of Contemporary Art, Philadelphia
© Arlene Love, Rosey Crucifixion, resin/fiberglass and leather handbag, life size, 1972


Click here to visit Arlene Love’s website.

Banner Image: Arlene Love, Arlene Love: Selections from Seven Decades, Installation View, Interactive Museum of Contemporary Art (iMOCA), Philadelphia, 2024, © Amie Potsic 2024

 
 

Art Watch Radio Podcast with Amie Potsic on January 24, 2024

Amie Potsic, Bathing in the Ganges (Varanasi/Benares, India), Chromogenic Print, 19 x 19 inches, 1996 © Amie Potsic, 2024


January 24, 2024

Amie Potsic is interviewed about her new monograph and solo exhibition:  Seeker: An Extraordinary Photographic Odyssey in the Holy Lands.  The artist discusses her original photographs as well as mixed media works, memoir, and a monograph created through decades of reflection upon female empowerment, gender politics, and religious patriarchy. 


 

Seeker: An Extraordinary Photographic Odyssey in the Holy Lands is a new monograph by Amie Potsic featuring photographs of stunning visual delight created on the artist's year-long solo photographic odyssey in India and Israel at the age of 23 in 1995. Defying the stereotype of the heroic male photographer, Potsic traversed the Negev Desert and scaled the Himalayas with her Hasselblad camera and over 100 rolls of film. Through a female gaze, she documented visual splendor, human dignity, and the role of women in their communities. Her lens revealed a multifaceted experience of the depth of ritual and resilience of tradition in the eastern and western Holylands.  "Finding myself alone in India with just a backpack, my Hasselblad camera, and 100+ rolls of film, I was terrified yet certain. This was no accident. Despite my well-intended plans, the universe had something bigger and better in mind, " explains Potsic.

Amie Potsic is a photographer and installation artist whose work addresses cultural, personal, and natural phenomena through the lens of social responsibility and climate change. Potsic has exhibited her work internationally at the Art Park in Rhodes, Greece; Museo de Arte Moderno de Bogotá, Colombia; Medfoundart di Cagliari, Italy; the Royal College of London; the Museum of New Art in Detroit; The Woodmere Art Museum, The National Constitution Center Museum, The Painted Bride, and James Oliver Gallery in Philadelphia; The Delaware Contemporary in Wilmington, DE; Mission 17 in San Francisco; and 626 Gallery in Los Angeles. She won Best in Show for her work in Experimental Photography Today at The Delaware Contemporary in 2015 and was featured in Keystone 1, the inaugural Pennsylvania Photography Biennial, at Silver Eye Center for Photography in Pittsburgh the same year. Potsic received her MFA in Photography from the San Francisco Art Institute and BA’s in Photojournalism and English Literature from Indiana University, graduating with Distinguished Honors and a member of Phi Beta Kappa Honor Society. She has held faculty appointments at the University of California at Berkeley, Ohlone College, and the San Francisco Art Institute and published her work in The San Francisco Chronicle and The Philadelphia Inquirer. Potsic has been a guest lecturer at The International Center of Photography and is the Host of Art Watch Radio and Podcast on WCHE 1520 & 95.3 in Greater Philadelphia.

 

Book Cover Image, Seeker by Amier Potsic, © Amie Potsic 2024

 

AMIE POTSIC

SEEKER

On view from January 27 - March 31, 2024 at The SPACE Art Gallery

Amie Potsic, Temple Light (Jaisalmer, India), Chromogenic Print, 19 x 19 inches, 1996 © Amie Potsic, 2024

Amie Potsic, Fire (Calcutta, India), Chromogenic Print, 19 x 19 inches, 1996 © Amie Potsic, 2024

Amie Potsic, Sadhu (Varanasi/Benares, India), Chromogenic Print, 19 x 19 inches, 1996 © Amie Potsic, 2024

Amie Potsic, Minyan (Jerusalem, Israel), Chromogenic Print, 19 x 19 inches, 1996 © Amie Potsic, 2024

Amie Potsic, Sukkot Celebration (Tzfat, Israel), Chromogenic Print, 19 x 19 inches, 1996 © Amie Potsic, 2024

Amie Potsic, Makhtesh Ramon Crater, The Negev Desert (Mitzpe Ramon, Israel), Chromogenic Print, 19 x 19 inches, 1996 © Amie Potsic, 2024

Amie Potsic, Nun on the Mount of Olives (Jerusalem, Israel), Chromogenic Print, 19 x 19 inches, 1996 © Amie Potsic, 2024


Click here to visit Amie Potsic’s website.

Banner Image: Amie Potsic, Fire (Calcutta, India), Chromogenic Print, 19 x 19 inches, 1996 © Amie Potsic, 2024

 
 

Art Watch Radio Podcast with Suzanne Benton on December 6, 2023

© Suzanne Benton, Esther II right Profile cmyk, steel and brazed bronze, 12.5”x 10”x 9”, 1985, photo Donna Callaghan


December 6, 2023

Amie Potsic interviews artist Suzanne Benton about her award-winning work that spans over 60 years of feminist sculpture, performance, printmaking, and a new exhibition of paintings.


 

Suzanne Benton, a native New Yorker, has woven her feminist activism into a multi-faceted artistry that has resonated across 32 countries for nearly seven decades. Her creative journey has been marked by over 150 solo exhibitions, and her work graces prestigious museums and private collections worldwide.

A luminary in the realm of metal mask making and mask performance art, Suzanne is also celebrated as a printmaker, painter, lecturer, and workshop leader. As a trans-culturalist and feminist trailblazer rooted in the United States, her artistic odyssey has unfurled from the vibrant streets of New York City to the far reaches of African, Indian, and Nepalese villages, and from the hallowed halls of Calcutta to the storied grounds of Cambridge.

Having been a Fulbright Scholar in India, she's been awarded numerous grants and artist residencies, including frequent hosting by the cultural wings of U.S. Embassies. Since 1976, her one-of-a-kind creations have carried her to destinations as diverse as Bali, Bangladesh, Bosnia, Bulgaria, and beyond, leaving an indelible mark on the artistic landscape of each locale.

In addition to her visual masterpieces, Suzanne is the esteemed author of "The Art of Welded Sculpture" and has penned numerous insightful articles. Her impact is immortalized in prestigious references such as Who’s Who in America, Who’s Who in American Art, and the seminal "Feminists Who Changed America 1963-1975," edited by Barbara Love in 2006.

 

METAL MASKS & PERFORMANCES

© Suzanne Benton, Lilith, (Biblical-Midrash), performance mask, copper coated steel, 34” x 18” x 14”, 1973

Suzanne Benton posing with Lilith mask © Suzanne Benton, Lilith Mask and Tale, developed in 1973

Suzanne Benton performing with Persephone mask © Suzanne Benton, Persephone Mask and Tale, created and developed for myth and ritual tour in Greece, 1984

© Suzanne Benton, Persephone, (performance mask) steel and bronze

Suzanne Benton performing with Sarah and Hagar mask © Suzanne Benton, Sarah and Hagar Mask & Tale, first performed at Lincoln Center, 1972

© Suzanne Benton, Perdita, bronze on steel, 12x10.5x5 inches, (Shakespeare series performance mask), 1982

Suzanne Benton performing with Perdita mask © Suzanne Benton, Perdita, bronze on steel, 12x10.5x5 inches, (Shakespeare series performance mask), 1982

 

MONOPRINTS WITH CHINE COLLE

© Suzanne Benton, C. Sedgewick (Charlotte),monoprint with Chine collé, 12 3/8 x 9 ¼ inches, 1998

© Suzanne Benton, Lucy Larcom, monoprint with Chine collé, 18 ½ x 12 ¾ inches, 1992

 

PAINTINGS

© Suzanne Benton, Giotto Circle 1A, acrylic, 6” x 6”

© Suzanne Benton, Continuum, oil on canvas, 40” x 30”, 2021


Click here to visit Suzanne Benton’s website.

Click here to visit Suzanne Benton's Art History page.

Banner Image: Suzanne Benton posing with Lilith mask © Suzanne Benton, Lilith Mask and Tale, developed in 1973

 
 

Art Watch Radio Podcast with Teresa Shields on November 29, 2023

© Teresa Shields, In-progress photo for the making of What Fresh New Hell is This? Installation, 2023


November 29, 2023

Amie Potsic interviews Teresa Shields about her award winning felt installations and current exhibitions.


 

Teresa Shields has always been drawn to fabric, thread, wool fiber, magnets and wood. Through embroidery she interprets abstract shapes found in the natural forms of sliced fruits and vegetables. In 2016 she began wet felting and now enjoys exploring the materiality of turning wool fibers into solid but soft hollow forms.

Her work is often idiosyncratic and leaves the viewer craving a tactile experience. Teresa exhibits her work throughout the United States and has won a handful of nice awards. She earned her BFA at Carnegie Mellon University and MFA at Mass College of Art. She is an empty nester living and working in Jenkintown, just outside Philadelphia, with her retired husband and two cats.

 

WET FELTED 3-D HOLLOW FORMS

© Teresa Shields, detail of What Fresh New Hell is This? Installation, 2023

© Teresa Shields, What Fresh New Hell is This? Installation, 2023

© Teresa Shields, My Joy, 2021, Wool magnets, wood, 10 x 14 x 8 inches

© Teresa Shields, Seedbed, 2020, Wet felted hollow pod forms with magnets, walnut, 48 x 6 x 8 inches

© Teresa Shields, detail of Seedbed, 2020, Wet felted hollow pod forms with magnets, walnut, 48 x 6 x 8 inches

 
 

A SLICE OF NATURE

© Teresa Shields, Tomato No. 1, 2020, French knots and stitches on linen mounted on wood panel. Tomatoes are a source to see sacred geometry in a natural form, 4 x 4 x 1.5 inches

© Teresa Shields, Interior Fig, 2015, French knots on wool felt, 6 x 6 x 1.5 inches

© Teresa Shields, Tomato No. 4, 2020, French knots and stitches on linen mounted on wood panel. Tomatoes are a source to see sacred geometry in a natural form, 5 x 5 x 1.5 inches

© Teresa Shields, Red Pepper, 2015, French knots on wool felt, 6 x 6 x 1.5 inches

 

Click here to visit Teresa Shield’s website.

Click here to visit Teresa Shield's Art History page.

Banner Image: © Artist Teresa Shields with What Fresh New Hell is This? Installation, 2023

 
 

Art Watch Radio Podcast with Kevin Martini-Fuller on October 25, 2023

© Kevin Martini-Fuller, Lloyd Wright & Pip Gillett, Wetplate Collodion, 5 x 4 inches, 2020


October 25, 2023

Amie Potsic interviews Kevin Martini-Fuller about his many years photographing the American West and creating tintype portraits of cowboy poets.


 

Kevin Martini-Fuller, a seasoned photographer, photo educator, and the principal of 'Novelda Editions,' discovered his passion for photography at the age of 12 when he first experimented with a 'Kodak Brownie Hawkeye.' This early experience sparked his fascination with camera mechanics and the magic of the darkroom.

His initial enthusiasm led him to delve into historical photographic processes, motivating him to explore this aspect of art history. After obtaining a BFA in Art History from Boise State University in Boise, Idaho, Martini-Fuller earned an MFA in photography from Southern Illinois University in Carbondale, Illinois. During his time at SIU, he specialized in photogravure and carbon printing.

In addition to his academic pursuits, Martini-Fuller shared his expertise by teaching photography workshops across the U.S. and Europe. He also served as an adjunct professor for 15 years, covering various photography subjects at four universities in St. Louis, Missouri.

In 1990, Eastman Kodak Company appointed him as their 'Corporate Ambassador' at Grand Canyon National Park in Arizona, a role he held for 15 years. His responsibilities included organizing summer photography programs for park visitors and capturing the essence of the American Southwest for Kodak.

Martini-Fuller's contributions to photography education were recognized in 2000 when he received the 'International Grand Prize Award' from the International Photo Imaging Education Association. This achievement led to a yearlong traveling exhibition displayed in 45 venues worldwide.

In 1986, he initiated a project to create portraits of poets and artisans at the 'National Cowboy Poetry Gathering' in Elko, Nevada. This ongoing project, now in its 36th year, features over 1,100 portraits and more than 40,000 images.

Continuing his artistic journey, Martini-Fuller focuses on personal projects and limited edition portfolios. His recent exploration involves wet-plate collodion, resulting in captivating tintypes and ambrotypes, showcasing his ongoing creativity and innovation in photography.

 

COWBOY POET TINTYPES

© Kevin Martini-Fuller, Ernie Sites, Wetplate Collodion, 5 x 4 inches, 2020

© Kevin Martini-Fuller, Jim Brooks, Wetplate Collodion, 5 x 4 inches, 2020

© Kevin Martini-Fuller, A.K. Kathy Moss, Wetplate Collodion, 5 x 4 inches, 2020

Kevin Martini-Fuller, Chris Henrich, Wetplate Collodion, 5 x 4 inches, 2020

© Kevin Martini-Fuller, Dom Flemon, Wetplate Collodion, 5 x 4 inches, 2020

 

Click here to visit Kevin Martini-Fuller’s website.

Click here to visit Kevin Martini-Fuller's Art History page.

Banner Image: Photographs by Kevin Martini-Fuller, Grid of Cowboy Poet series © Kevin Martini-Fuller

 
 

Art Watch Radio Podcast with Katie Tackman on September 20, 2023

© Katie Tackman, LA Dodge, Photo Lightbox, 8 x 8 inches, 2019


September 20, 2023

Amie Potsic interviews photographer and master printer Katie Tackman about her artwork, printing business, and running the 20/20 Photo Festival in Philadelphia!


 

Katie Tackman is an artist, photographer, and fine art printer living and working in Philadelphia, PA.  She was raised in Connecticut where her love of sailing, nature, and photography grew.   Tackman graduated from Drexel University with a Bachelor of Science degree in Photography.  After graduating, she worked at Silicon Fine Art Printing for over 5 years where she joined a strong community of artists in Philadelphia.  She now runs her own business; KT Butterfield Photo + Print, which focuses on photo editing and fine art printing projects for artists.  As a founding member of Gravy Studio + Gallery, she is the studio manager and co-curator of the photography exhibits. 

 

Artist Statement
The work I have submitted to the Chroma open call comes from two different series which I have been working on for the last five years simultaneously, but all have a similar sense of nostalgia and color which have become part of my photographic style.

The first series is of cars from Philadelphia and Los Angeles. We remember years gone by with the make and model of a car; Americana at its best. I remember sounds of my Dad building his race car at all hours of the night getting ready for a race. Whether I am searching for cars in the city, going to car shows such as the Race of Gentlemen at the New Jersey shore, or going across the country to hunt for them; I aim to have the same feeling of nostalgia through the color, texture, and composition of my photographs. These are displayed as a series of light boxes to replicate the way I see them bathed in beautiful light. 

The second series is of Philadelphia area signage which become my abstract reminders of the years I have spent here and how the city has shaped my photography. I find nooks of color in the chaos of gentrification in my own neighborhood of Fishtown where artists once created spaces that reflected its weird and quirky lifestyles. Seems to be fading away as the historic buildings, artists warehouses, and studios are being pushed out by development.

 

© Katie Tackman, Steeple Truck, Photo Lightbox, 8 x 10 inches, 2018

Waking up to fog rolling across the hills of a racetrack surrounded by a lush forest after a night of camping. Sounds of my Dad building his race car at all hours of the night getting ready for a race. People have a special nostalgic connections to cars. We remember years gone by with the make and model; Americana at its best. For me, cars and motorcycles represent a sense of freedom. The ability to go on roadtrips, to see the country, explore mountains, beaches, deserts. These things are essential to a photographer. ‘The Vintage Car Show’ is a collection of photos blending new colorful landscapes with vintage cars and motorcycles.
— Katie Tackman

© Katie Tackman, Pink and Red, Photo Lightbox, 8 x 10 inches, 2018

 

© Katie Tackman, Magic Touch, Archival Pigment Print, 8 x 10 inches, 2017

© Katie Tackman, Lost in Fortescue, Archival Pigment Print, 8 x 10 inches, 2019

© Katie Tackman, Suds n Such, Photo Lightbox, 8 x 10 inches, 2016

 

Click here to visit Katie Tackman’s website.

Banner Image: Katie Tackman at The Wiota Street Garden, 20/20 Photo Festival, 2022 © Amie Potsic 2022

 
 

Art Watch Radio Podcast with Amie Potsic on September 13, 2023

Amie Potsic, Forest Light & Twilight, Cherry Street Pier, Installation view, 25’H x 20’W x 160’L, 2023, © Amie Potsic 2023


September 13, 2023

Amie Potsic discusses the process of creating her new installation at the Cherry Street Pier for the 20/20 Photo Festival and how experiential art can inspire new perspectives and positive action on climate.


 

Amie Potsic is photographer and installation artist whose work addresses cultural, personal, and natural phenomena through the lens of social responsibility and climate change. Potsic has exhibited her work internationally at the Art Park in Rhodes, Greece; Museo de Arte Moderno de Bogotá, Colombia; Medfoundart di Cagliari, Italy; the Royal College of London; the Museum of New Art in Detroit; The Woodmere Art Museum, The National Constitution Center Museum, The Painted Bride, and James Oliver Gallery in Philadelphia; The Delaware Contemporary in Wilmington, DE; Mission 17 in San Francisco; and 626 Gallery in Los Angeles. She won Best in Show for her work in Experimental Photography Today at The Delaware Contemporary in 2015 and was featured in Keystone 1, the inaugural Pennsylvania Photography Biennial, at Silver Eye Center for Photography in Pittsburgh the same year. Potsic received her MFA in Photography from the San Francisco Art Institute and BA’s in Photojournalism and English Literature from Indiana University, graduating with Distinguished Honors and a member of Phi Beta Kappa Honor Society. She has held faculty appointments at the University of California at Berkeley, Ohlone College, and the San Francisco Art Institute and published her work in The San Francisco Chronicle and The Philadelphia Inquirer. Potsic has been a guest lecturer at The International Center of Photography and is the Host of Art Watch Radio and Podcast on WCHE 1520 & 95.3 in Greater Philadelphia.

 

Amie Potsic, Forest Light & Twilight, Cherry Street Pier, Installation view, 25’H x 20’W x 160’L, 2023, © Amie Potsic 2023

Artist Statement
My work references the sensory experience of being within the forest while encouraging us to appreciate and preserve its future. Incarnate environmental explorations, my photographs and installations invite you to connect with your own perception of nature in a manner that is both intimate and enchanting. I focus on the allure and dynamism of the forest to share my sense of wonder, develop our connection to trees, and support environmental protections. Personal experience underscoring the urgency of climate change, I draw attention to deforestation by creating visceral and cerebral connections to trees and the natural world.

 

Video & Artwork: Amie Potsic, Forest Light and Twilight, Installation View, 25' x 20' x 160', Photographic imagery printed on mesh, Cherry Street Pier, 2023, © Amie Potsic 2023

 

AMIE POTSIC

FOREST LIGHT & tWILIGHT

On view from September 1 - October 1, 2023 at the Cherry Street Pier, Philadelphia

Amie Potsic, Forest Light & Twilight, Cherry Street Pier, Installation view, 25’H x 20’W x 160’L, 2023, © Amie Potsic 2023

Amie Potsic, Forest Light & Twilight, Cherry Street Pier, Installation view, 25’H x 20’W x 160’L, 2023, © Amie Potsic 2023

Amie Potsic, Forest Light & Twilight, Cherry Street Pier, Installation view, 25’H x 20’W x 160’L, 2023, © Amie Potsic 2023

Amie Potsic, Forest Light & Twilight, Cherry Street Pier, Installation view, 25’H x 20’W x 160’L, 2023, © Amie Potsic 2023


Click here to visit Amie Potsic’s website.

Banner Image: Amie Potsic, Forest Light & Twilight, Cherry Street Pier, Installation view, 25’H x 20’W x 160’L, 2023, © Amie Potsic 2023

 
 

Art Watch Radio Podcast with Steven CW Taylor on August 9, 2023

© Steven CW Taylor, Bright Futures, 2023


August 9, 2023

Amie Potsic interviews photographer Steven CW Taylor about his current exhibition highlighting the African-American community in Germantown, his documentation of the Black Lives Matter protests, and the launch of new initiatives by his gallery Ubuntu Fine Art.


 

Steven CW Taylor is a Gallerist and Contemporary Fine Art Photographer specializing in the documentation and archiving of Black Life during this time. He is the founding artist and curator of Ubuntu Fine Art -Philadelphia’s first and only Black-owned Fine Art Photography Gallery of a single artist.

Born and raised in the East Germantown section of Philadelphia, Taylor provides his community with access to Fine Art, music, and art education. Having traveled to 18 countries, and 4 US National Parks, it is important for Steven to share his photography intentionally with his community. Taylor’s current exhibition features his new work from Black Lives Matter protests and the close-knit community of Germantown. Taylor’s ability to bond with his subjects, dedication to sharing positive images of his contemporaries, and a commitment to technical innovation drive his artwork and gallery to excellence.

 

© Steven CW Taylor, Brilliant Star, 2023

Artist Statement -
East Meets West: A Visual Harmony on Washi

"East Meets West: A Visual Harmony on Washi" is a profoundly personal study of the separate but interconnected neighborhoods of East and West Germantown. I was born in East Germantown and now run my Ubuntu Fine Art gallery in West Germantown. My goal is to honor both areas with striking monochrome images, revealing their individual charm and the lively essence that binds them together. The display highlights their toughness, allure, and collective experiences as seen through the lives of their inhabitants.

The images are printed on handmade unryu washi paper from the famous Awagami Factory in Japan, a family-managed business with a history extending over three centuries. This extraordinary paper brings a delightful touch to the pictures, additionally emphasizing the essence of the Germantown communities. Motivated by my affection for Japanese anime, which merges profound regard for cultural heritage with advanced technology, the employment of unryu paper combines old and new aspects, symbolizing the ongoing cultural dialogue between East and West.

Adopting the Ubuntu philosophy, which stresses mutual dependence, kindness, and the conviction that our welfare is connected to others, "East Meets West" salutes Germantown's fortitude, charm, and variety. This display encourages visitors to immerse themselves in these neighborhoods' distinctive dynamics and collective experiences, deepening their insight via the viewpoint of their residents. By embodying the essence of Ubuntu, the display promotes a stronger sense of fellowship, understanding, and harmony among those who experience its visual symphony.

 

© Steven CW Taylor, Power, 2023

Artist Statement -
Through the Lens of Witness
Under the alias "The Time Thief," I'm sharing "Through the Lens of Witness," a close look at the complex situations I experienced during the George Floyd protests in Philadelphia on May 30th, 2020, during the COVID-19 pandemic. The death of George Floyd, a 46-year-old Black man, at the hands of a police officer in Minneapolis, sparked worldwide protests against police violence and systemic racism. As a photographer, I feel a duty to document my present contemporary experiences for future humans, taking inspiration from the iconic Gordon Parks and using photographic activism as my chosen form of artistic expression.

Deeply immersed in the protests, I was able to capture the raw emotions and energy of the people involved. Converting the sensory experiences of sight, sound, and smell into images that make you think, reveals the complicated relationship between law enforcement and protesters. These photographs, taken against the backdrop of Philadelphia's historic City Hall area, draw attention to the tension and challenges communities face while seeking justice and equality, and questioning the role of law enforcement in maintaining fairness. This photographic journey underlines the uncomfortable truth that prioritizing the protection of property can contribute to racial injustice and violence.

"Through the Lens of Witness" incorporates the philosophy of Ubuntu, emphasizing our shared human connections, and aims to ignite ongoing conversations about our collective responsibility in building a kind and inclusive world. I encourage you to explore the bravery and diverse personal experiences of those who marched during the George Floyd protests in Philadelphia. Together, we create a visual story that captures the spirit of change and the quest for a more equitable society for the generations to come.


STEVEN CW TAYLOR


© Steven CW Taylor, Black Writers Museum, 2023

© Steven CW Taylor, Boots, 2023

© Steven CW Taylor, Aggression, 2023


 
 

Art Watch Radio Podcast with Peter Barberie, Philadelphia Museum of Art on May 31, 2023

Untitled, Vietnam Veterans Memorial, Washington, D.C., 1984, by Judith Joy Ross.
© Judith Joy Ross, courtesy Galerie Thomas Zander, Cologne

May 31, 2023

Amie Potsic interviews Peter Barberie, Brodsky Curator of Photographs at the Philadelphia Museum of Art, about the museum's retrospective exhibition by Judith Joy Ross.

 

 

Peter Barberie is the Brodsky Curator of Photographs, Alfred Stieglitz Center, at the Philadelphia Museum of Art. Since 2005 he has organized more than twenty-five exhibitions, many of which manifest his efforts to connect the museum with broad public audiences. His projects include WILD: Michael Nichols (2017), a survey of Nichols’ photography of the natural world installed with art on similar themes from across the Museum’s collection; Paul Strand: Master of Modern Photography (2014), an in-depth retrospective of Strand’s photography and films that traveled to several European venues; and Zoe Strauss: Ten Years (2012), a mid-career survey of Strauss’s photography and her closely related efforts at public engagement. His most recent project, Richard Benson: The World Is Smarter Than You Are (2021), examines Benson’s photographs in the context of the artist’s printing, teaching, and writing.

 

 

JUDITH JOY ROSS

On view from April 24 - August 6, 2023 at the Philadelphia Museum of Art

Celia, 1980, by Judith Joy Ross. © Judith Joy Ross, courtesy Galerie Thomas Zander, Cologne

Untitled, Eurana Park, Weatherly, Pennsylvania, 1982, by Judith Joy Ross.
© Judith Joy Ross, courtesy Galerie Thomas Zander, Cologne

Sophia, Philadelphia, Pennsylvania, 1998, by Judith Joy Ross. © Judith Joy Ross

 

Banner Image: Untitled, Eurana Park, Weatherly, Pennsylvania, 1982, by Judith Joy Ross.
© Judith Joy Ross, courtesy Galerie Thomas Zander, Cologne


 

The exhibition is on view at the Philadelphia Museum of Art from April 24 - August 5, 2023.

Click here to learn more about Judith Joy Ross exhibition.

For more information on the Philadelphia Museum of Art, visit: https://philamuseum.org/
or follow them on Instagram @PhilaMuseum.

 
 

Art Watch Radio Podcast with Linda Dubin Garfield on May 10, 2023

© Linda Dubin Garfield, Ice and Blue 4, Monotype, 20” x 20”, 2013


May 10, 2023

Amie Potsic interviews Linda Dubin Garfield about her climate change exhibition and the launch of her retrospective monograph on the occasion of her 80th birthday.


 

© Linda Dubin Garfield, Sunrise on the Sahara Remembered, Mixed media on paper, 12” x 12”, 2022

Linda Dubin Garfield is an award-winning artist whose colorful works on paper combine traditional printmaking, mixed media, and technology based on her love of exploration, the mystery of memory, and the magic of place.  Garfield creates visual memoirs using hand-pulled printmaking techniques, photography, collage, and digital imaging. Her abstract and dynamic works use multiple layers of ink that waver between background and foreground creating a fusion of surface design and abstraction.  She also creates installations that include public participatory art, which investigate themes relating to women in today’s culture.  Inspired by her background in social work and seeing the effects of climate change across the globe, Garfield’s artistic practice focuses on compassion for others and furthering environmental protections through her own unique visual language and collaborative spirit.

Garfield earned an undergraduate degree from Temple University in Education and went on to study art at the Pennsylvania Academy of the Fine Arts and with mentor Moe Brooker.  She has attended the artist residency at the Vermont Studio Center and received a grant from the Leeway Foundation in Philadelphia.  Garfield is the founder of ARTsisters, a group of professional artists who empower each other through art and regularly provides educational seminars for artists.  She was also the presenter of collaborative and restorative public art projects through the Philadelphia Fringe Festival for ten years.  An active member of the Philadelphia artist community, she has exhibited her work extensively with recent exhibitions at The Delaware Contemporary, DaVinci Art Alliance, The Banana Factory, and The Noyes Museum of Art.

Artist Statement
Nature nurtures and inspires me. I combine elements of nature, texture and design along with the magic of the press. I am intrigued by memory and what remains in our mind’s eye. My work reflects scenes from travel near and far. More than a report on how it was exactly, I am interested in my expressive and passionate response to the color and pattern of the landscape, experience or image. The fluid space of memory, influenced by time, place and experience, forms the foundation of content for my work. I merge aspects of experience and observations with imagined and remembered sensations to create non-objective work that reflects life and memory. My work has overlapping layers of color and space, shifting relationships with mark making that includes monotype, silkscreen, stencil, image transfer, collage as well as drawing. Inspired by travel, I am creating visual memoirs which offer multiple meanings to the viewer.

I create art that is a mixture of what I have seen with my eyes and the truth of what I see in my heart.  These landscapes are created from memories and what remains in my mind’s eye.

 

Interested in learning more about her work?
Purchase her book Linda Dubin Garfield: An Artist’s Life.

Click here to purchase.


LINDA DUBIN GARFIELD


© Linda Dubin Garfield, American West Remembered, Mixed media on paper, 12” x 12”, 2022

© Linda Dubin Garfield, Melon Glow, Mixed Media on Paper, 22” x 26”, 2018


Click here to view Linda Dubin Garfield's collection and full art history profile.

Banner Image: © Linda Dubin Garfield, Patagonia Remembered 2, Mixed media on paper, 12” x 12”, 2022

 
 

Art Watch Radio Podcast with Leah Macdonald on March 15, 2023

 

© Leah Macdonald, Image courtesy of the artist


March 15, 2023

Amie Potsic interviews photographer Leah Macdonald about her Book Release and Artist Talk.  Macdonald presents a 30-year retrospective exhibition and monograph for her silver gelatin print series, Lost Light Luv.


In the darkroom, I was both a methodical performer and wild chemist, a crazy experimental mess... I wanted each and every print to physically describe some very important challenges for me - feeling uncomfortable in my body, dealing with anxiety, self-doubt, fear, and insecurity. I wanted the prints to show the scars that we often don’t see on each other, the hurts that happen that we hide underneath our skin. I wanted my insides to come out, but I did not want to give away the secrets.
— Leah Macdonald

 

© Leah Macdonald, No 21322, Waxed Gelatin Silver Print, 9” x 9”, 2015

Leah Macdonald makes her portraits into artifacts, one-of-a-kind conceptions that suggest the imperfection and multiplicity of memory. The heart of her mixed media work, a poignant sense of revisitation and return. Her passion is sharing her art and creativity with others through teaching workshops, art exhibitions and her prolific internet portfolios. Her new technique “photogestic” is the fruition of all her years of experimenting with altered surface analog photography and mixing media. It combines her three skills in art: photography, collage and encaustic painting. When transforming photographs from slivers of reality to complete fantasy, she expresses the tales of womanhood. She uses collage to place her figures in new and surreal environments. Her intuition with encaustics allows beeswax to embellish and veil her models. She carefully draws on the wax to decorate and control the visibility of the subject. Layering these mediums by manipulating surface texture and color grants her the ability to express
her imagination and bring her art vision to life.
 
Macdonald was born in Philadelphia, attended college in San Francisco, and then went on to receive her MFA in Photography from the California College of Art. She enjoyed a long and varied career path within the arts:
commercial photography, professional analog printer and college professor. She was the Education Curriculum Director at the Manayunk-Roxborough Art Center. In 2007 she was asked to do a live encaustic painting
demonstration on the Martha Stewart show. Other highlights include a solo retrospective of encaustic nudes at Wexler gallery in 2010. In 2016 she was the scenic director of In My Body Musical. In 2017 she was selected as
the recipient of the New Courtland Fellowship by The Center for Emerging Visual Artists. In 2018 she was an artist in residence at the Encaustic Castle. She recently launched a new website; Lost Light Luv, it features her
legacy analog photography. Her encaustic photography art is represented by InLiquid Arts, Saatchi Art, Galerie BMG, Venvi Gallery and Cerulean Art Gallery in Philadelphia. She has also self-published numerous handmade
artist books. For more information on Leah Macdonald's work: http://www.leah-macdonald.com/

About the Exhibition & Book Release

Lost Light Luv celebrates photographer Leah Macdonald’s artistic legacy encompassing thirty years of analogue
photography, master printing, and emotive portraiture. Inspired by the female figure and the challenges women
face, Macdonald’s work is emotionally charged, visually dynamic, and intensely personal. To create each image,
Macdonald collaborated with women who could relate to her own struggles while being brave enough to bare their own. In conversation, the collection of portraits conveys a depth of emotion, self-awareness, and longing.

To create her visual world, Macdonald utilized the historical 4x5 view camera, Type 55 Polaroid film, and
silver gelatin prints created in a traditional wet darkroom. Macdonald’s work was created in the heyday of black and white photography before digital replaced it as an industry standard. As the photography field changed, Macdonald’s work became all the more precious and unique. Additionally, rather than printing in editions, each
photograph in Lost Light Luv is created to be a one-of-a-kind monoprint, a singular glimpse into the complexity of power, femininity, and beauty. This body of work is a love letter to silver gelatin photography itself while simultaneously honoring the stories and individuals illuminated by Macdonald’s lens.

Lost Light Luv is currently on view at InLiquid Gallery through April 15, 2023.


Leah Macdonald: LOST LIGHT LUV


Solo Exhibition & Book Release
Curated by Amie Potsic


Exhibition dates:
March 9 – April 15, 2023 at InLiquid Gallery

Book Release

Book Signing and Artist Talk: March 18, 4:30 - 6:30 PM

Receptions
Opening Reception: March 9, 6 - 9 PM
Closing Reception: April 13, 6 - 9 PM

Leah Macdonald, Lost Light Luv, Installation image, 2023. Photo Credit: Amie Potsic

Leah Macdonald, Lost Light Luv, Installation image, 2023. Photo Credit: Amie Potsic

© Leah Macdonald, No 21297, Gelatin Silver Print, 9.75” x 7.5”, 2007

© Leah Macdonald, No 21270, Gelatin Silver Print, 11” x 14”, 2007


Click here to learn more about the exhibition and book release, Lost Light Luv.

For more information on InLiquid Gallery, visit: https://www.inliquid.org/
or follow them on Instagram @InLiquidArt.

Banner Image: © Leah Macdonald, No 409, Gelatin Silver Print, 10” x 7.5”, 2012

 
 

Art Watch Radio Podcast with Steven CW Taylor on February 15, 2023

© Steven CW Taylor, Jetty Boyz #1, 2020, Color Photograph


February 15, 2023

Amie Potsic interviews Steven CW Taylor, software engineer, gallerist, and contemporary fine art photographer about his work documenting and archiving the African-American experience today.


 

© Steven CW Taylor, The Bend, 2017, Color Photograph

Steven CW Taylor is a Gallerist, Software Engineer, and Contemporary Fine Art Photographer specializing in the documentation and archiving of Black Life during this time.  His love for photography was birthed by his background in engineering.  "Learning the machine called a camera, allowed me to be confident in the Art I am creating."

Born and raised in the East Germantown section of Philadelphia, PA, photographer makes it his business to provide his community with access to Fine Art “without the need to travel to more affluent spaces”.  Having traveled to 18 countries, and 4 US National Parks, it is important for Steven to share his photography intentionally with his community. He is the founding artist and curator of Ubuntu Fine Art -Philadelphia’s first and only Fine Art Photography Gallery of a single artist. 

As “The Time Thief” I steal moments of time to preserve the feeling and emotion of the instance in which the picture was taken.  “I want the photographs I’ve taken over my lifetime to be the lens that future generations view the past.”

Artist Statement
Photographer Steven CW Taylor presents two new works, highlighting his deep roots in his community as a way to channel his artistic pursuits and focus on social empowerment. Growing up on Chew Avenue in the Germantown section of Philadelphia, Taylor found himself surrounded by opportunities which oftentimes failed to realize. Through his artistic endeavors, he hopes to change the narrative by shining a light on creative approaches and new solutions emerging from the community.

Taylor’s photographs All of The Lights (Paris, 2015) and Grounded in Light (Philadelphia, 2016) represent two distinct moments in time, reaching back to the early stages of his photography career. At that time, he was immersing himself in his new craft, learning about lighting and location.

All of The Lights is a long-exposure photograph of the iconic Arc de Triomphe in Paris, France. In 2015 Taylor was just learning about the practice of longexposure photography and had only previously attempted this style with GoPros. “While enjoying a sunset dinner with friends across the street from the Arc,” Taylor recalls. “I noticed how the lighting, both of and surrounding the Arc, drastically intensified as the sun was setting.“ Wanting to test out what he had been learning about long exposure, but not having a tripod, Taylor saw a great vantage point from the ground and was able to capture the brilliance of that brief moment in All of The Lights.

Taylor’s focus on light and shadow is also evident in his work Grounded in Light, where highly dramatized light effects literally and symbolically draw attention to community, identity, and belonging. The stark differences in lighting and location, evoke a sense of pride in his Germantown roots, which encouraged the artist to see the “light” in everything.

Grounded in Light is a photograph of a person walking across the street on a foggy December night in front of Taylor’s home on Chew Avenue. Living on a bustling street, where there is no shortage of Septa buses, and light always seems to illuminate the dark, this foggy night created the perfect environment for “light” to flex its power!

“A quick peek outside revealed the majestic conditions for some dramatic photography,” Taylor recalls. “I quickly bundled up, grabbed my camera and spent the next hour outside.” Triumph on Chew Ave reinforces Taylor’s philosophy that by being steadfast with continually courting a “Sunny Disposition,” no setback can impact how triumphant this bright light from Chew Ave. can be!


STEVEN CW TAYLOR


© Steven CW Taylor, All of The Lights (Arc de Triomphe), 2015, Color Photograph

© Steven CW Taylor, Color Wheel (Ferris Wheel), 2018, Color Photograph

© Steven CW Taylor, Grounded In Light, 2016, Color Photograph


Click here to view Steven CW Taylor's collection and full art history profile.

Banner Image: © Steven CW Taylor, Subway Surfer, 2017, Color Photograph
Courtesy of the artist.