Art Watch Radio Podcast with Photographer Amanda Marchand on December 23, 2020

December 23, 2020

Amie Potsic interviews Amanda Marchand, New York-based Canadian photographer, about her poetic and time-based work, the impact of residencies and book publishing on her practice, and her solo show now on view at Traywick Contemporary in California.


About the Artist

Amanda Marchand is a Canadian, New York-based photographer. Her work explores the human condition through the poetics of landscape with an experimental approach to photography.

Marchand’s monographs, Nothing Will Ever Be the Same Again (2019), and Night Garden (2015) were published by Datz Press. She has also published the following artist books: The World is Astonishing with You in it: A 21st Century Field Guide to the Birds, Ferns, and Wildflowers (2019); The Book of Hours (2018); Because the Sky (2017). Her series 415/514 was published by Edition One Studios (2009). A permanent installation of her work is on view at the MUHC Glen Hospital in Montreal.

Honors include - PX3 Prix de la Photographie Paris 2020 - honorable mention; BarTur Photography Award - shortlist, 2020; the International LensCulture Art Awards 2019, 3rd Place; FRESH 2019, Honorable Mention, Klompching Gallery; GoggleWorks 2018 Juried Competition, Honorable Mention; “Curator's Choice - 2nd place winner” CENTER’s Choice Awards 2015; C4FAP "Center Forward 2015" Honorable Mention; grants from the Quebec Council of Arts and Letters; Doggone Foundation; and the San Francisco Art Institute Graduate Fellowship Award. She has exhibited internationally and is represented by Traywick Contemporary.

For more information about Amanda Marchand, visit: https://www.amandamarchand.com/


©Amanda Marchand, Here We Go (Again), (Illford Ilfobrom Gallery FB Gloss) Archival pigment print triptych, edition of 3, 26 x 7"

©Amanda Marchand, Here We Go (Again), (Illford Ilfobrom Gallery FB Gloss) Archival pigment print triptych,
edition of 3, 26 x 7"

©Amanda Marchand, Timeline (Dusk) 84.5 x 11", Out in the Sun (10 panels, 13 x 36"), both variations of 3

©Amanda Marchand, Timeline (Dusk) 84.5 x 11", Out in the Sun (10 panels, 13 x 36"), both variations of 3

©Amanda Marchand, Tufted Evening Primrose (Illford MG FB 1P) Archival pigment print collage, 4 panels, a variation of 3, 22 x 17”

©Amanda Marchand, Tufted Evening Primrose (Illford MG FB 1P) Archival pigment print collage, 4 panels,
a variation of 3, 22 x 17”

©Amanda Marchand, Pitcher's Thistle (Evolved), 2020 (Oriental Warmtone FB R) Archival pigment print collage, 4 panels, a variation of 3, 44 x 52" frame

©Amanda Marchand, Pitcher's Thistle (Evolved), 2020 (Oriental Warmtone FB R) Archival pigment print collage, 4 panels, a variation of 3, 44 x 52" frame

©Amanda Marchand, The World is Astonishing Exhibition Installation Image at Traywick Gallery

©Amanda Marchand, The World is Astonishing Exhibition Installation Image at Traywick Gallery

Art Watch Radio Podcast with Erica Battle, Associate Curator of Contemporary Art at the Philadelphia Museum of Art on December 16, 2020

December 16, 2020

Amie Potsic interviews Erica Battle, the John Alchin and Hal Marryatt Associate Curator of Contemporary Art at the Philadelphia Museum of Art. Battle discusses her perspective on the changing role of the museum curator, efforts to make the PMA’s collection and exhibitions more inclusive, and her projects that emphasize collaboration and shared authorship.


Installation image of Rachel Rose: Wil-o-Wisp/The Future Fields Commission (May 2, 2018 – September 16, 2018) at the Philadelphia Museum of Art. Photograph by Tim Tiebout, courtesy of the Philadelphia Museum of Art.

Installation image of Rachel Rose: Wil-o-Wisp/The Future Fields Commission (May 2, 2018 – September 16, 2018) at the Philadelphia Museum of Art. Photograph by Tim Tiebout, courtesy of the Philadelphia Museum of Art.

Installation image of artworks by Nick Cave on view in Ghosts and Fragments at the Philadelphia Museum of Art (Gallery 270). Photograph by Tim Tiebout, courtesy of the Philadelphia Museum of Art.

Installation image of artworks by Nick Cave on view in Ghosts and Fragments at the Philadelphia Museum of Art (Gallery 270). Photograph by Tim Tiebout, courtesy of the Philadelphia Museum of Art.

Installation image of Untitled (I’m Turning Into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, by Glenn Ligon in Ghosts and Fragments at the Philadelphia Museum of Art. Photograph by Tim Tiebout, courtesy of the Philadelphia Mus…

Installation image of Untitled (I’m Turning Into a Specter before Your Very Eyes and I’m Going to Haunt You), 1992, by Glenn Ligon in Ghosts and Fragments at the Philadelphia Museum of Art. Photograph by Tim Tiebout, courtesy of the Philadelphia Museum of Art.

Installation image of Ghosts and Fragments at the Philadelphia Museum of Art (Gallery 270). Photograph by Tim Tiebout, courtesy of the Philadelphia Museum of Art.

Installation image of Ghosts and Fragments at the Philadelphia Museum of Art (Gallery 270). Photograph by Tim Tiebout, courtesy of the Philadelphia Museum of Art.

Installation image of Pant, 2018, by Tschabalala Self on view in Present Tense: Recent Gifts of Contemporary Art at the Philadelphia Museum of Art. Photograph by Joseph Hu, courtesy of the Philadelphia Museum of Art.

Installation image of Pant, 2018, by Tschabalala Self on view in Present Tense: Recent Gifts of Contemporary Art at the Philadelphia Museum of Art. Photograph by Joseph Hu, courtesy of the Philadelphia Museum of Art.

Erica Battle is the the John Alchin and Hal Marryatt Associate Curator of Contemporary Art at the Philadelphia Museum of Art. Battle’s curatorial work focuses on artistic production from the neo avant-garde until today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.  Before obtaining her masters of art degree at Bard College's Center for Curatorial Studies, Battle worked and interned at the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum, Participant, Inc., Independent Curators International, Hollis Taggart Galleries, and Art + Auction Magazine.  Recent projects at the PMA have included the exhibitions Rachel Rose, the inaugural Future Field Commission, Dancing Around the Bride, International Pop, and Ghosts and Fragments featuring Nick Cave.  She also worked on Bruce Nauman: Topological Gardens, the official U.S. entry to the 53rd Venice Biennial, which won the award for Best National Participation in 2009.

For more information on the Philadelphia Museum of Art, visit: https://philamuseum.org/

Art Watch Radio Podcast with Linde B. Lehtinen, Assistant Curator of Photography at the SFMoMa on November 18, 2020

© Poklong Anading, Anonymity 2004 – 2015 Series

© Poklong Anading, Anonymity 2004 – 2015 Series

November 18, 2020

Amie Potsic interviews Linde B. Lehtinen, Assistant Curator of Photography at the SFMOMA, about her curatorial work and research on photography from Hong Kong, the Philippines, and the San Francisco Bay Area.  She will discuss upcoming exhibitions that shed light on current trends and directions in contemporary photography worldwide.


© Poklong Anading, b. 1975, Manila, Philippines, Counter Acts, 2004, Chromogenic transparency in lightbox four parts, approximately 90 x 48 x 5 inches (228.6 x 121.9 x 12.7 cm) each

© Poklong Anading, b. 1975, Manila, Philippines, Counter Acts, 2004, Chromogenic transparency in lightbox four parts, approximately 90 x 48 x 5 inches (228.6 x 121.9 x 12.7 cm) each

© Poklong Anading, Counter Acts II, 2012, Chromogenic transparancies in lightboxes, 55 x 115 x 3.5 cm (21 5/8 x 45 1/4 x 1 3/8 in.), Edition of 3

© Poklong Anading, Counter Acts II, 2012, Chromogenic transparancies in lightboxes, 55 x 115 x 3.5 cm (21 5/8 x 45 1/4 x 1 3/8 in.), Edition of 3


Linde B. Lehtinen, Assistant Curator of Photography at the San Francisco Museum of Modern Art, received her BA in art history from the University of Chicago and MA and Ph.D. in art history from the University of Wisconsin–Madison. Linde has worked for several museums, including the Art Institute of Chicago, the Guggenheim, J. Paul Getty Museum, Getty Research Institute, and Skirball Cultural Center in Los Angeles. She is at work on an upcoming show, Collaborative Actions in Photography, opening Fall 2021 using SFMOMA’s permanent collection to explore the relationship between photography and collaboration from the beginnings of the medium to the present. She is also actively engaged in different research projects about contemporary Hong Kong photography and historical and contemporary Filipinx photography. In conjunction with her curatorial work, she has published several essays and presented lectures on the history of photography in the United States and Europe.

Art Watch Radio Podcast with Roberta Fallon, Executive Director and Chief Editor of Artblog on October 14, 2020

Artwork by Dudi, featured in Artists in the time of Coronavirus, part 28. Courtesy Dudi.

Artwork by Dudi, featured in Artists in the time of Coronavirus, part 28. Courtesy Dudi.

October 14, 2020

In this episode of Art Watch, we chat with Roberta Fallon, Artblog’s Executive Director, and Chief Editor to discuss Artblog's open call series: Artists in the Time of Coronavirus, which includes works by 300+ artists, upcoming editorial features, and the Organization's initiatives for 2020 and beyond.


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Roberta Fallon is an artist, writer, and co-founder of Artblog, the online arts publication, where she is Editor, Executive Director, and member of the Board. As an artist, Fallon collaborated with Libby Rosof on sculpture, painting, artist books, and street performances. As a writer, Fallon wrote a weekly column for Philadelphia Weekly (1999-2011) and the semi-regular “Philadelphia Story” column for Artnet.com (2000-2005). Her byline appeared in the Philadelphia Inquirer, Philadelphia Daily News, Art Review Magazine, and elsewhere. In addition to editorial duties on Artblog, Fallon has written more than 2,400 reviews and features on the platform. Executive Director Fallon manages the day-to-day operations of the organization including budget, staffing, fundraising, and grants. She has secured and managed grants from the Knight Foundation, the Philadelphia Cultural Fund, Pennsylvania Council on the Arts’s Project Stream, PA Citizens for the Arts, Common Field, and others. Fallon has taught at Saint Joseph’s University and Tyler School of Art and curated exhibitions at York College of Pennsylvania and Delaware Contemporary. A graduate of the University of Wisconsin (BA, English, 1974), she studied painting, drawing, printmaking, and sculpture at Tyler School of Art and Pennsylvania Academy of the Fine Arts (1988-91). Born in Wisconsin. Fallon and her husband, Steven Kimbrough, have three children.

To learn more about Artblog, visit: https://www.theartblog.org/

Art Watch Radio Podcast with Heather Shayne Blakeslee, Editor-in-chief of Root Quarterly on September 16, 2020

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September 16, 2020

Heather Shayne Blakeslee, Publisher and Editor-in-chief of the award winning literary journal, Root Quarterly, discusses the publication, collaborating with artists and writers, and how she combines her multitude of talents as a creative professional.

To learn more about Root Quarterly and purchase a subscription, visit: https://www.rootquarterly.com/

Follow them on Instagram: @RootQuarterly


Read more from Root Quaterly’s Resilience Issue: https://www.rootquarterly.com/resilience

Read more from Root Quaterly’s Resilience Issue: https://www.rootquarterly.com/resilience

Art Watch Radio Podcast with Artist Constance McBride on September 9, 2020

© Constance McBride, Truth from Within (no. 2) at Phoenix Art Museum

© Constance McBride, Truth from Within (no. 2) at Phoenix Art Museum

September 9, 2020

Constance McBride discusses her solo show and 10-year retrospective, Between Two Worlds, featuring three series; The Lonely Girls, From the Hearts of Stars, and Timescapes. Her retrospective exhibition spans works completed between 2007 and 2017 and will be exhibited in three galleries at Clay on Main.  McBride also highlights her work in the Chester County Studio Tours exhibited at Scarlett Thicket Farm on September 19-20, 2020.

Constance McBride’s work addresses the human condition in relation to nature.  Exploring themes of identity and memory, the emphasis is placed on issues most experienced by women. Her work has been supported by grants from the Arizona Commission on the Arts, Phoenix Art Museum's Contemporary Forum, Philadelphia Sculptors and the Covid-19 Arts Aid PHL program. Museum exhibitions include Phoenix Art Museum and Udinotti Museum of Figurative Art in AZ, Las Cruces Museum of Art in NM, San Angelo Museum of Art in TX, The State Museum of Pennsylvania and Biggs Museum of American Art in DE. Notable gallery exhibitions include Craft Forms at Wayne Art Center and The Clay Studio National in PA, America's ClayFest International at Blue Line Arts in CA and Beyond the Brickyard at Archie Bray Foundation for the Ceramic Arts in MT. To learn more about Constance McBride visit: https://www.constancemcbride.com/


© Constance McBride, Truth from Within Exhibition at Phoenix Art Museum

© Constance McBride, Truth from Within Exhibition at Phoenix Art Museum

© Constance McBride, Truth from Within (no. 1) at Phoenix Art Museum, Photo by Amy Weaver

© Constance McBride, Truth from Within (no. 1) at Phoenix Art Museum, Photo by Amy Weaver

© Constance McBride, Installation Image at Clay on Main

© Constance McBride, Installation Image at Clay on Main

© Constance McBride, From the Hearts of Stars

© Constance McBride, From the Hearts of Stars

© Constance McBride, Truth from Within (no. 1) at Phoenix Art Museum

© Constance McBride, Truth from Within (no. 1) at Phoenix Art Museum

ART WATCH RADIO PODCAST WITH ARTIST AND EDUCATOR ALICE SHAW ON AUGUST 5, 2020

© Alice Shaw, (Auto)Biography Series

© Alice Shaw, (Auto)Biography Series

August 5, 2020

Alice Shaw is an artist and educator based in the San Francisco Bay Area. She was trained as a photographer but often incorporates other media into her practice. Shaw is an Artadia Grant Awardee and her work is included in the collection of the San Francisco Museum of Modern Art. Her book, People Who Look Like Me was published in 2006 by Gallery 16 in San Francisco, where her work is represented. In August of 2017 a permanent large-scale public artwork, No Other Lands Their Glory Know, was installed at The San Francisco International Airport in terminal G95. 

To learn more about her artwork visit: https://www.aliceshawphoto.com/ and follow her on Instagram @AliceShawPhoto.

© Alice Shaw, (Auto)Biography Series

© Alice Shaw, (Auto)Biography Series

© Alice Shaw, Platinum (Diana Ross), 2015, archival pigment print and 22k gold leaf, 20 x 16 inches

© Alice Shaw, Platinum (Diana Ross), 2015, archival pigment print and 22k gold leaf, 20 x 16 inches


About Pivot Workshops

 Alice Shaw and Lisa Sze are both photographers and clairvoyant healers. They met over a decade ago while attending an intensive 2-year meditation training program. The two have been collaborating on projects for the past 3-years. Both have been teaching in-person workshops in the wellness arena and have been hired to do clairvoyant readings at various events, including women’s business groups and retail events. In 2017, Alice and Lisa were invited by Jim Goldberg to contribute to an installation in one of the galleries at Minnesota Street Project. The project was a collaboration with the SFMOMA for Larry Sultan’s retrospective exhibition. At MSP, they read the current energies for the “Fake Newsroom” live. 

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 Alice Shaw has been teaching photography at colleges and institutions throughout California for 20 years. These include UC Berkeley, UC Davis, UC Santa Cruz, the San Francisco Art Institute, Mills College, the California College of the Arts and San Francisco State University. She holds a master’s degree from the San Francisco Art Institute and currently teaches at the California College of the Arts and Mills College in Oakland. Alice is an Artadia Grant Awardee and her work is included in the collection of the San Francisco Museum of Modern Art. Her book, People Who Look Like Me, was published by Gallery 16 in San Francisco, where her work is represented. In August of 2017, a permanent large-scale public work of art done by Alice, named No Other Lands Their Glory Know, was installed at The San Francisco International Airport in terminal G95.

 Lisa Sze is a commercial photographer. In her 20 years of experience Lisa’s clients have included celebrities, athletes, politicians, nonprofits, a large range of academic institutions, Bay Area tech companies and major corporations such as MIT, Harvard, San Francisco State University, The Asia Society, Amgen, New York Life, Cisco and Wells Fargo. Lisa’s scope is broad, ranging from portraiture to architecture. She attended the Academy of Art University in San Francisco and also holds a degree in Interdisciplinary Studies from the California Institute of Integral Studies. Through her business, Ninety Degrees Latitude, Lisa offers clairvoyant readings and healings. 

 Through their studies and life experiences, Alice and Lisa have helped people gain a new, clear perspective in their lives. Their goal is to provide simple, useful tools and knowledge to help others become the most fulfilled, happiest, and powerful version of themselves. Together, they are Pivot Workshops.

To Learn More:

IGTV Show:  “Behind the Surface: Seeing Beyond What Your Eyes See,” with Alice Shaw and Lisa Sze
https://www.instagram.com/tv/CC9rWRHpMA0/?hl=en

Pivot Workshops
https://www.instagram.com/p/CCrkMofB1qA/

ART WATCH RADIO PODCAST WITH AUTHOR AND PHILANTHROPIST NAHJEE GRANT ON JULY 8, 2020

IMG_3421 Nahjee reading to class.jpeg

July 8, 2020

This week on Art Watch Radio on WCHE, Amie Potsic interviews author and philanthropist Nahjee Grant about his new book, Aron Goes to the Police Academy, a civic-minded children’s book about improving relationships between police and the community.

Click here for more information on Grant’s INDIEGOGO campaign supporting the publication of Aron Goes to the Police Academy.

For more information on Nahjee Grant visit: https://www.nahjeegrant.com/
To follow Nahjee Grant on Facebook: https://www.facebook.com/iamnahjee

IMG_2579 Nahjee and student.jpeg

PRESS

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Art Watch Radio Podcast with Artist, Storyteller, and Hippie Icon Wavy Gravy on June 3, 2020

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June 3, 2020

Amie Potsic interviews Wavy Gravy - artist, poet, storyteller, clown, hippie icon, and temple of accumulated error.  Wavy Gravy will discuss his visual art and creative journey highlighting his new work on wood.  From poet and performer to philanthropist and change-maker, his artistic trajectory has been a fun and bumpy ride.


Wavy Gravy is not your ordinary artist, nor your ordinary clown. He certainly has had a long run since his earlier days as a poet and stand-up comic, improvisational theater artist, psychedelic bus caravan luminary, and rock concert MC.  Yet his reach extends far beyond the comic and MC’ing the original Woodstock.  He is devoted to “do something good for a change,” and his creative activism on behalf of peace, justice, and good humor is legendary. Along with Jahanara, his wife of over fifty years, he has brought joy and helped to relieve suffering for countless people around the globe, largely through his favorite causes and organizations he founded, Camp Winnarainbow and the Seva Foundation.  In addition to all this, Wavy is a prolific visual artist doing collage and mixed media works inspired by music, memory, spiritual discovery, and photographs.  His new work involves collage on rough-hewn rounds of wood from trees at Black Oak Ranch, the Hog Farm commune’s County Seat in Northern California. 

To find out more visit: https://wavygravy.net/

Camp Winnarainbow: https://www.campwinnarainbow.org/

SEVA Foundation: https://www.seva.org/site/SPageServer/


ARTWORK

© Wavy Gravy, Old and On the Way, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Old and On the Way, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Trane, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Trane, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Summer of Love, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Summer of Love, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Bessie Sits In, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Bessie Sits In, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Einstein, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Einstein, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Miles, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.

© Wavy Gravy, Miles, Inkjet print | For all sales inquiries contact Amie Potsic Art Advisory.


PUBLICATION

ART WATCH RADIO PODCAST WITH AMANDA SROKA, Assistant Curator of Contemporary Art at THE PMA ON MAY 13, 2020

Installation view of the exhibition, “Fault Lines: Contemporary Abstraction by Artists from South Asia.” Photo courtesy of the Philadelphia Museum of Art. Photo by Joseph Hu, 2020.

Installation view of the exhibition, “Fault Lines: Contemporary Abstraction by Artists from South Asia.” Photo courtesy of the Philadelphia Museum of Art. Photo by Joseph Hu, 2020.

May 13, 2020

Amie Potsic interviews Amanda Sroka, Assistant Curator of Contemporary Art about her new exhibition, Fault Lines: Contemporary Abstraction by Artists from South Asia at the Philadelphia Museum of Art.

Installation view of the exhibition, “Fault Lines: Contemporary Abstraction by Artists from South Asia.” Photo courtesy of the Philadelphia Museum of Art. Photo by Joseph Hu, 2020.

Installation view of the exhibition, “Fault Lines: Contemporary Abstraction by Artists from South Asia.” Photo courtesy of the Philadelphia Museum of Art. Photo by Joseph Hu, 2020.


Fault Lines: Contemporary Abstraction by Artists from South Asia 
Through Fall 2020 | Alter Gallery 276 | Philadelphia Museum of Art 

Curator: Amanda Sroka, Assistant Curator of Contemporary Art 

This exhibition features the work of six female artists all born in South Asia, although often active elsewhere throughout the globe—Tanya Goel, Sheela Gowda, Priya Ravish Mehra, Prabhavathi Meppayil, Nasreen Mohamedi, and Zarina—whose works uniquely embrace and reconfigure the visual language of abstraction as they address questions of memory, home, and belonging. 

Through a sensitivity to ritual and materials—ranging from cow dung, to copper wire, to handmade paper—these artists engage the subtle politics and poetics of people and place. In their works, the line becomes a map of, and a metaphor for, geological, political, and psychological landscapes. Presented together, they force the viewer to reconsider the larger art historical narrative of twentieth- century Modernism (a narrative mostly centered on the West and dominated by male artists) while expanding on the history of art from the region. 

As the world continues to form new borders and build more walls, these works speak to the fault lines of our fractured and divided existence—the boundaries between tradition and modernity, the powerful and the powerless, presence and absence, earth and sky. 

This exhibition has been made possible with support from the museum’s endowment, through the Daniel W. Dietrich II Fund for Excellence in Contemporary Art. 

The Philadelphia Museum of Art is currently closed through June 30, 2020.
To learn more visit: https://philamuseum.org



Amanda Sroka 
is the Assistant Curator of Contemporary Art at the Philadelphia Museum of Art. She joined the museum in 2014 following the completion of her MA in Art History at the Courtauld Institute of Art in London, where she focused on global conceptual art practices. Previously, she served as a curatorial assistant at the New Museum, New York. Recent projects at the Philadelphia Museum of Art include Jitish Kallat: Covering Letter (2016), Philadelphia Assembled (2017), Yael Bartana: And Europe Will Be Stunned (2018), Marisa Merz (2019), and Fault Lines: Contemporary Abstraction by Artists from South Asia (2020). Forthcoming projects include solo exhibitions with Martine Syms, Sean Scully, and Lawrence Abu Hamdan. 

ART WATCH RADIO PODCAST WITH SARA McCorriston, Co-founder of PARADIGM GALLERY + Studio ON MARCH 25, 2020

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March 25, 2020

Amie Potsic interviews Sara McCorriston of Paradigm Gallery in Philadelphia! Sara discusses Paradigm's growth, evolution, and 10 year anniversary.

Paradigm Gallery + Studio exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. Now open 10 years, the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.

To learn more visit: https://www.paradigmarts.org

ART WATCH RADIO PODCAST WITH KSENIA NOURIL, Jensen Bryan Curator of The Print Center FROM THE PRINT CENTER ON MARCH 4, 2020

Artwork by Young Sun Han, The Unforever Parallel, at The Print Center 2020

Artwork by Young Sun Han, The Unforever Parallel, at The Print Center 2020

March 4, 2020

Amie Potsic interviews Ksenia Nouril, Jensen Bryan Curator of The Print Center in Philadelphia, about what brought her from the MOMA to the Print Center, their current exhibitions, and upcoming projects done in collaboration with 19 other organizations across the country.

For more information on The Print Center visit: http://printcenter.org/100/

ART WATCH RADIO PODCAST WITH MARY SALVANTE, CURATOR AND DIRECTOR OF ROWAN UNIVERSITY ON FEBRUARY 5, 2020

February 5, 2020

Amie Potsic interviews Mary Salvante, Curator of the Rowan University Art Gallery, about their current exhibition, curatorial vision, and Center for Art and Social Engagement. 

© Artwork by Misty Gamble at Rowan University Art Gallery

© Artwork by Misty Gamble at Rowan University Art Gallery

Artist in Residence Exhibition
Accoutrement and Consumption
Exhibition runs January 21-March 7, 2020

Rowan University Art Gallery welcomes Misty Gamble who joins the Department of Art this spring for the annual Artist in Residence program. Initiating a semester-long residency, Gamble presents an exhibition of life-size ceramic sculptures comprised of works that confront conventional standards of womanhood, beauty, and power. Through figurative sculpture, she explores issues surrounding femininity and challenges conventional standards of morality, normalcy, and propriety. 

About the Center for Art and Social Engagement
The Center for Art and Social Engagement is a new initiative of Rowan University Art Gallery. It serves as a venue for investigating social issues through arts-based methods. Anchored by a permanent display of The Sister Chapela historic collaborative feminist installation, the Center draws inspiration from the cooperative spirit of the women’s art movement. Programming at the Center will encourage interdisciplinary collaborations that explore diverse and timely social issues through multidisciplinary practices, broadly conceived to include a variety of mediums such as photojournalism, film and video, historical ephemera, faculty and student research presentations, info-graphic presentations, STEM/STEAM installations, and public programming.

For more information visit: https://sites.rowan.edu/artgallery/center-for-art/about.html

ART WATCH RADIO PODCAST WITH ARTIST AMIE POTSIC ON JANUARY 29, 2020

Amie Potsic, Midnight Mass (Installation view) 2020, © Amie Potsic 2020

Amie Potsic, Midnight Mass (Installation view) 2020, © Amie Potsic 2020

January 29, 2020

Constance McBride interviews Amie Potsic about her new solo installation Midnight Mass at the Delaware Contemporary in Wilmington. Midnight Mass will be at the Delaware Contemporary, January 24 - April 25, 2020, with an opening reception: Friday, February 7, 5 - 9 PM.

Statement
My work references the sensory experience of being within the forest while encouraging us all to appreciate and preserve its future. Incarnate environmental explorations, my photographs and installations invite you to connect with your own perception of nature in a manner that is both intimate and enchanting. I focus on the beauty and mystery of the forest to share my sense of wonder, develop our connection to trees, and encourage environmental protections. Personal experience underscoring the urgency of climate change, I draw attention to deforestation by creating visceral and cerebral connections to trees and the natural world.

Midnight Mass is a site-specific installation created from over 250 feet of silk. The semi-translucent silk with photographic imagery from the forest weaves its way through the air to arch, bend, and arabesque in the sky. The panels extend from the entrance reaching up toward the looming windows behind to be backlit like stained glass. The installation fills the space in graceful, abstract lines and draping, drawing the eye up toward the apex of the room. Looking up at the illuminated silk, a conjured sense of our own scale, akin to what we feel in a cathedral or looking up at the forest canopy, enhances the experience of the artwork and museum’s architecture.” - Amie Potsic

Biography
Amie Potsic, MFA is an accomplished photographer and installation artist living in the Philadelphia area whose work addresses cultural, personal, and natural phenomena. Potsic has exhibited her work internationally at the Art Park in Rhodes, Greece; Museo de Arte Moderno de Bogotá, Colombia; Medfoundart di Cagliari, Italy; the Royal College of London, England as well as in museums and galleries throughout the United States. Potsic received her MFA in Photography from the San Francisco Art Institute and BA’s in Photojournalism and English Literature from Indiana University, graduating with Distinguished Honors and a member of Phi Beta Kappa Honor Society. She has held faculty appointments at the University of California at Berkeley, Ohlone College, and the San Francisco Art Institute, published her work in The San Francisco Chronicle and The Philadelphia Inquirer, and has been a guest lecturer at The International Center of Photography. Potsic is currently the CEO & Principal of Amie Potsic Art Advisory, LLC and Chair of the Art in City Hall Artistic Advisory Board to the Office of Arts and Culture of the City of Philadelphia.

Click here to access the full Midnight Mass press kit.

ART WATCH RADIO PODCAST WITH AMIE POTSIC, ANA VIZCARRA RANKIN, AND MARGUERITA HAGAN ON NOVEMBER 13, 2019

AMIE POTSIC “Girl in the Garden #1” © Amie Potsic 2019

AMIE POTSIC “Girl in the Garden #1” © Amie Potsic 2019

November 13, 2019

Margaret Winslow, Curator of Contemporary Art at the Delaware Art Museum interviews Amie Potsic, Ana Vizcarra Rankin, and Marguerita Hagan about their upcoming Climate Reality Event where they collaborate with Al Gore's Climate Reality Project and One Tree Planted to bring awareness and action to the Climate Change movement through art.

AMIE POTSIC, "Girl in the Garden: Paradise #3" 2019, © Amie Potsic 2019

AMIE POTSIC, "Girl in the Garden: Paradise #3" 2019, © Amie Potsic 2019

Join us for a lively discussion and presentation on the positive impact of the arts on the Climate Change movement and how creativity and storytelling can create change. As part of the 24 Hours of Reality, an international day of Climate presentations offered by Al Gore’s Climate Reality Project, Hot Bed will host an artist panel discussion and climate presentations with scientific experts in the midst of Girl in the Garden: Danger In Paradise, a solo exhibition by Amie Potsic which focuses on climate change and gender roles through the lens of deforestation and wildfires. One Tree Planted has committed to planting one tree for every attendee at this presentation. Please join us to learn how you can create change, engage in the arts, and have a tree planted in your honor.

The Story of Art and Climate:  Creating change through art and action

Date:
Wed, November 20, 2019, 6:00 PM – 7:30 PM

Location: HOT•BED
723 Chestnut Street, #Floor 2, Philadelphia, PA 19106

To RSVP: https://www.eventbrite.com/e/the-story-of-art-and-climate-creating-change-through-art-and-action-tickets-79199348383

Artist Panel:
Amie Potsic, Ana Vizcarra Rankin, Marguerita Hagan & Deirdre Murphy

Moderators and Presenters: 
Al Morales: Presenter and Moderator, Climate Reality Project
Alana Morales, Youth Presenter: Climate Reality Project
Dr. Erik Cordes, Associate Professor, Vice Chair, Ecology and Integrative Biology, Temple University & Alexis Weinnig, Graduate student, Department of Biology, Temple University: Science Experts and Presenters

About 24 Hours of Reality: https://www.24hoursofreality.org/
About One Tree Planted commitment for event:  https://onetreeplanted.org/
Event is free and open to the public.

Click here to access the full Girl in the Garden press kit.