Press Release: Simone Spicer: Past>NOW<Future, A Solo Exhibition at iMOCA Philadelphia in October 2024

September 20, 2024

Press Release

© Simone Spicer, Piece for Peace, Painted corrugated cardboard, hanging paper cranes, 24 x 30 x 35 inches, 2010

 

Past>NOW<Future:
The Evolving Artistry of Simone Spicer at iMOCA

Past>NOW<Future is a compelling solo exhibition by acclaimed sculptor and painter Simone Spicer, set to take place at the Interactive Museum for Contemporary Art (iMOCA). A highlight of the upcoming art season, this exhibition presents Spicer's innovative approach to sculptural works and paintings, deeply rooted in the Arte Povera movement. Spicer's art, characterized by its use of repurposed materials and its evocative commentary on social and environmental issues, embodies a profound exploration of the human condition. Her creations, forged from discarded objects and infused with emotional resonance, challenge traditional artistic values while promoting collective healing. Spicer's work serves as a powerful testament to the transformative potential of art, capturing the intricate interplay of materials, memory, and meaning. Through her thought-provoking pieces, the artist invites viewers to reflect on the interconnectedness of humanity, nature, and the remnants of our consumer culture.

© Simone Spicer, Fallen Hero (back view), Painted corrugated cardboard, rubble, 85 x 36 x 40 inches, 2010 ©Jack Ramsdale


Past>NOW<Future

A solo exhibition by Simone Spicer


Exhibition Dates:
October 20 – November 10, 2024

Opening Reception:
Sunday, October 20, 3:30 – 7:00 pm

Artist Talk:
Friday, November 1, 5:00 – 7:00 pm

Open for "Philadelphia Open Studio Tours" (POST):
October 26 and 27, 12:00 – 6:00 pm

 
 

Closing Reception Brunch:
Sunday, November 10, 11:00 am – 1:00 pm

Location:
Interactive Museum of Contemporary Art (iMOCA)
1230 S. Broad St.
Philadelphia, PA 19146

Gallery Hours: 
By appointment, and Fridays 11 am – 6 pm

 
 

© Simone Spicer, The End Of The Age Of Innocence On The Great Wave Off Kanagawa, Bas Relief papier mâché tidal wave and plastic action figures riding the wave on surfboards and in boats, 8 x 8 x 3 feet, 2021

 

PHILADELPHIA, PA, USA – The Interactive Museum of Contemporary Art (iMOCA) is thrilled to present Past>NOW<Future, a captivating exhibition by Simone Spicer, a sculptor whose work bridges the gap between Arte Povera and contemporary environmental activism. Spicer's sculptures and paintings challenge traditional artistic norms, utilizing discarded materials to evoke a powerful commentary on modern society's relationship with nature, consumption, and history. The exhibition will run from Sunday, October 20 to Sunday, November 10, 2024.  The exhibition will open with a public Opening Reception from 3:30 pm to 7:00 pm on October 20.  The artist will be present giving tours of the exhibition during Philadelphia Open Studio Tours (POST) on October 26 and 27 from 12 - 6pm.  An Artist Talk is scheduled for Friday, November 1, from 5:00 pm to 7:00 pm, and the exhibition will conclude with a Closing Reception Brunch on Sunday, November 10, from 11:00 am to 1:00 pm.

Spicer's artistic journey is marked by her relentless exploration of materials and her commitment to addressing social and environmental issues through her art. Her work not only transforms the ordinary into the extraordinary but also invites viewers to reflect on the interconnectedness of humanity, nature, and the objects we discard. Spicer's use of post-consumer packaging and other found materials speaks volumes about our society's values, habits, and impact on the planet. Through her work, Spicer aims to inspire collective healing and greater awareness of our role in the natural world.

As Spicer herself explains, "I believe healing happens when the artist's primary goal is to connect with others through shared experience, storytelling, and wonderment at being alive here on planet Earth! I am drawn to materials that challenge and disrupt traditional values of commercialized art, and that reinforce my images and speak of our culture and time specifically." Her art uniquely captures this sentiment, particularly in works like her reimagining of Hokusai's famous wave, where, as art critic Eleanor Heartney notes, Spicer transforms the iconic image into "a massive tsunami that is about to engulf a merrily oblivious party of pop culture surfers."

Spicer's ability to transform detritus into compelling artistic statements is central to her practice. Harvey Shipley Miller, a notable collector, commends her for the originality of her sculptures, noting how "Simone Spicer's sculptures are so original in their lively use and transformation of detritus to animate fresh transits of perception...informed by her consummate wit and subtle, wry humor." This wit and humor, combined with her profound engagement with social and environmental themes, make Spicer's work both thought-provoking and deeply resonant.

Spicer not only challenges traditional artistic values but also reinforces her images with materials that speak directly to our culture and time. She reflects, "I am continually inspired to transform throwaway, post-consumer packaging containers, as they express so much about contemporary society; our values, our habits, our technologies, and our mastery over nature, while conversely reminding us of our obliviousness to the natural world and our separateness from it and from all of human history." This deep connection between material and meaning is what makes Spicer's work so powerful and relevant, inviting viewers to engage in a dialogue about the world we live in and the legacy we leave behind.

Simone Spicer is a sculptor based in Wyncote, PA, with a distinguished career that includes a BFA in Sculpture from the Maine College of Art, an MFA from the University of North Carolina, and a full scholarship to The Skowhegan School of Painting and Sculpture. Spicer's work has been exhibited at prestigious institutions such as the Philadelphia Museum of Art, the Independence Seaport Museum, the Woodmere Museum of Art, and the Philadelphia International Airport. An active member of the Philadelphia Dumpster Divers and the Philadelphia Sculptors Association, Spicer is also affiliated with a group of artist/activists in New York City who collaborate with scientists to address climate change through art.

The Interactive Museum of Contemporary Art (iMOCA) is an interactive museum of contemporary art based in Philadelphia focusing on local, living art practices of all kinds.  Founded in 2011, the museum focuses on connecting local artists to local resources in personal and direct ways.  iMOCA's new location is an historic home on South Broad Street in Philadelphia featuring an art gallery and artist residency facilities.  For more information on the exhibition, please visit: https://www.amiepotsicartadvisory.com/events/2024/10/20/simone-spicer-solo-exhibition-imoca.


The Philadelphia Open Studio Tours (POST) is the largest, self-guided, free-to-attend tour of artist studios and creative work spaces in the region, and one of the premier open studio tour events in the country, crossing into over 26 neighborhoods throughout the city for two weekends each October.


Past>NOW<Future will run from Sunday, October 20 to Sunday, November 10, 2024, at the Interactive Museum of Contemporary Art (iMOCA). The Opening Reception is scheduled for Sunday, October 20, from 3:30 pm to 7:00 pm. The artist will be present giving tours of the exhibition during Philadelphia Open Studio Tours (POST) on October 26 and 27 from 12 - 6pm.  The Artist Talk will be held on Friday, November 1, from 5:00 pm to 7:00 pm. The Closing Reception Brunch will take place on Sunday, November 10, from 11:00 am to 1:00 pm. The exhibition will be open by appointment as well as on Fridays from 11:00 am to 6:00 pm. 

 

© Simone Spicer, African American Youth, Painted corrugated cardboard, 16 x 11 x 12 inches, 2009

Press Release: 20/20 Photo Festival at the Cherry Street Pier, Philadelphia in September 2024

August 22, 2024

Press Release

 Left: Aimie Dukes, Souvenir #1  © Aimie Dukes 2024 Right: Justin Curtis, Abandon Today  © Justin Curtis 2024

 

Philadelphia's 20/20 Photo Festival Returns in September 2024

Experience the 20/20 Photo Festival this September in Philadelphia, a month-long celebration exploring the evolution of technology in contemporary photography.  The festival showcases artists and cultural institutions reflecting the collaborative spirit of the city.  Attend captivating exhibitions, engaging artist talks, and a vibrant photo book fair against the backdrop of Philadelphia's historic streets. On September 7th, Cherry Street Pier in Old City sponsored by Unique Photo hosts a day of free festivities.  Explore numerous photography exhibitions and events across the Philadelphia region throughout September.

20/20 PHOTO FESTIVAL

A month-long citywide celebration of photography in all its forms

Festival Day at Cherry Street Pier on Saturday, September 7, 2024



Main Festival Day:  
Saturday, September 7th, 12:00 - 7:00pm


Location:
Cherry Street Pier
121 N. Columbus Blvd.
Philadelphia, PA 19106


Core Exhibitions:
TILT Institute for the Contemporary Image
Member Exhibition

Cherry Street Pier
September 6th - September 28th
Artist Talk: September 7th, 4:00 - 5:00pm


20/20 Call for Entry Show
Cherry Street Pier
 September 6 - September 28th
 Opening Reception: September 7th, 5:00-7:00pm


Abandon Today
Artists Justin Curtis and Bart Lentini
Unique Photo
 September 6 - November 2


Photo Festival Day Talks at Cherry Street Pier:
 12 - 1pm: In Conversation: Jano Cohen, John DiSanto, Buster Custus, and Crystal Custus
 presented by TILT
1 - 2pm: In Conversation: New Technologies and the Expansion of Photography with artists
 John Singletary, Dan Marcolina, and Krista Svalbonas moderated by Stephen Perloff of The
 Photo Review
 2 - 3pm: In Conversation: Constructing New Conversations and Approaches with Vintage
 Processes with artists Donald E. Camp, Patricia Diart, and Amanda Tinker, presented and
 moderated by Amie Potsic Art Advisory
 3 - 4pm: In Conversation: Lisa Kereszi, Benjamin Donaldson, their daughter, and Peter Barberie
 presented by TILT


Book Signings at the Festival Book Fair:
12pm: Book Signing with The Print Center - Mary Virginia Swanson, Publish Your Photography Book
12:30pm: Book Signing with The Print Center: Andrea Modica, Catholic Girl
1 - 2pm: Book Signing with Jano Cohen and John DiSanto, Grace and Grit: Boxing at Shuler's Gym presented by TILT
1:30pm: Book Signing with The Print Center: Wendel A. White, Manifest, Thirteen Colonies
2 – 4pm:  Book Signing with The Photo Review:  John Singletary, Traces
3:00pm: Book Signing with Amie Potsic Art Advisory: Patricia Diart, No Solid Ground
& Amie Potsic, An Extraordinary Photographic Odyssey in the Holy Lands
3:30pm: Book Signing with Marianne Bernstein, Theatre of the Everyday
4 - 5pm: Book Signing with Lisa Kereszi, IN presented by TILT
4:30pm: Book Signing with The Print Center: Ron Tarver, The Long Ride Home: Black Cowboys in America


Demo Events at Cherry Street Pier:
Wet plate collodion process with Maureen Cooper:
12:00 - 1:00pm
 Pop Up Polaroid with Kara Khan:
2:00 - 3:00pm
Augmented Reality with Termite Tv Collective:
 4:00 - 5:00pm
Mobile camera obscura with co-creator Liz Sales:
All day
Cyanotype- with artist Sandra C. Davis:
All day


Opening Reception for Exhibitions:
 5 - 7pm: Opening Reception for 20/20 Photo Festival Call for Entry and TILT Member exhibitions


Virtual Programs in September:
 September 25 at 7pm: Virtual Presentation: Demystifying AI for Creativity and Business with Amie Potsic Art Advisory
September 21:  Virtual Artist Talk:  Artist Jude Abu Zaineh presented by the Batik Batik Collective


Experiential Photo Walks in September:
September 7 at 10:30am:  Old City Photo Walk with Unique Photo
September 12:  Olde Kensington Photo Walk with Unique Photo

Pier Hours: 
Monday – Thursday: 12 pm – 9 pm
Friday: 12 pm – 11 pm
Saturday: 11 am – 11 pm
Sunday:  11 am – 9 pm

 
 
 

PHILADELPHIA, PA, USA – In September 2024, Philadelphia celebrates photography! This year's 20/20 Photo Festival explores the evolution and influence of technology on contemporary photography by featuring artists and cultural institutions that reflect the creative collaborations happening throughout Philadelphia.

A full day of free programming will take place at Cherry Street Pier in the historic Old City neighborhood on Saturday, September 7th, 2024 from 12:00pm to 7:00pm, along with a variety of photography exhibitions throughout the fall in the Philadelphia region.

Technology has altered photography every year since its inception: The camera obscura sparked the idea of image making and evolved into a pinhole camera while the Daguerreotype made it into a physical object by exposing iodized silver plates. Changes in film and chemistry moved us from making calotypes to darkroom silver prints, color prints, digital prints and now images are being created by AI. After every new stage of evolution, we adapt our practice and process by blending old and new technologies. The festival explores how technology influences a photographer's vision through exhibitions, a photo book fair, free demonstrations, and artists talks.

The programming partners bring the collaborative nature of the festival to light with their artist talks, panels, and book signings during the main day of the festival.  TILT Institute for the Contemporary Image presents three artist talks featuring members exhibiting at Cherry Street Pier and one moderated by Curator of Photographs at the Philadelphia Museum of Art, Peter Barberie.  Amie Potsic Art Advisory and The Photo Review present panel discussions featuring photographic legends like Donald E. Camp as well as photographers using cutting edge technology like Krista Svalbonas interspersed with book signings by artists including Patricia Diart and John Singletary.  The Print Center presents four book signings with Mary Virginia Swanson, along with artists releasing new publications; Andrea Modica, Wendel A. White, and Ron Tarver.  

Local community darkroom; The Halide Project will be organizing a variety of free interactive photographic activities during the day to expose visitors to old technology from the photographic world.  Learn about one of the earliest technological advances in photography; the wet plate collodion process with Maureen Cooper, join Pop Up Polaroid's Kara Khan for an in-depth look at one of the technologies that helped make photography accessible to the masses, learn how to design an Augmented Reality artwork with the Termite TV Collective, experience Wandering Obscura, a free-standing mobile camera obscura that reimagines the ancient optical device that provided part of the scientific foundation of photography, with co-creator Liz Sales, and try your hand at the first photographic process used to illustrate a book; the cyanotype with artist Sandra C. Davis.  The festival will also be celebrating World Cyanotype Day by offering free materials and instructions on how to make these beautiful blue sun prints in a new way.

Gravy Studio will be organizing a photography book fair that will gather a wide variety of photographic art under one roof—from photographers, publishers, booksellers, galleries, and dealers/collectors. This year's vendors include; ALGO Creative Co., Alexander Artway Archive, Amie Potsic Art Advisory, Andrew Piccone, Athenaeum of Philadelphia, Blue Tiger, Blue Flower Press, Candace diCarlo, Christine Elfman, Drexel University Photography Program, Eric Green Foto, Evan Guanzon, Formento + Formento, Frances M Maguire Museum, Gravy Studio, InLiquid, James B Abbott, Jim Lehmann, Kevin Cook, Laura June Kirsch, Literal, Lodima Press, Marianne Bernstein, Nick Pedro + Betsey Carroll, PhotoBookArts, PhotoLounge, PLUTO, Point A to Point B: analog explorations, Robert Cooper, Saleem Ahmed, Sammy Rivera, TILT Institute for the Contemporary Image, The Halide Project, The Hand Magazine, The Photo Review, The Print Center, Tin Roof Press, Tyler School of Art and Architecture, Photography Program, and Unique Photo.

Throughout September, Cherry Street Pier will showcase the festival's core exhibitions including TILT members' photography alongside the 20/20 Photo Festival Annual Call for Entry exhibit, both exploring how artists adapt their practice and process by blending old and new technologies.  Unique Photo will also present a core exhibition Abandon Today by Justin Curtis and Bart Lentini which explores the artists' shared interest in URBEX which brought their paths together in 2016. The artists' first trip to photograph Rockland State Hospital in New York was the beginning of a fun and exciting adventure. Eight years, thousands of miles, and hundreds of stories later, they present this collection of images representing the forgotten and remembering the present.

The festival will involve the whole month of September when a variety of satellite exhibitions will take place across the city of Philadelphia.  Exhibitions will be presented by institutions including the Philadelphia Museum of Art, the Woodmere Art Museum, Unique Photo, Paradigm Gallery, The Institute of Contemporary Art, the Halide Project, InLiquid Gallery, The Space Gallery, and more. 

Additional September programs include virtual talks and experiences so participants from around the world and Philadelphia's own backyard can get involved.  On September 25th at 7pm, Amie Potsic Art Advisory hosts a virtual presentation on Demystifying AI for creativity and business where Amie Potsic discusses navigating the new artistic landscape with confidence.  Other virtual events in September include a discussion with curator Travis Flack and selected artists from the annual Call for Entry show.  Along with an artist talk with Jude Abu Zaineh presented by the Batik Batik Collective, a nomadic pop-up cinema and gallery which brings SWANA cinema and local emerging women and LGBTQ+ artists to Philadelphia.  Festival goers can experience more through Unique Photo's in person Old City Photo Walk at 10:30am on September 7th as well as the Second Thursday photo walk in Olde Kensington to see opening receptions at the Crane Arts Building and other galleries in the neighborhood on September 12th.  

 

Liz Sales, Wandering Obscura © Liz Sales 2024

The 20/20 Photo Festival in Philadelphia was conceptualized by a small but dedicated group of Philadelphia-area photographers and photo organizations, including members from Gravy Studio, The Halide Project, and Wanderlife Gallery. The festival provides opportunities for the exchange of ideas and artistic expression, in a local, national, and international context—reflecting the diversity of contemporary photography and its roots in the historical. The festival aims to make photography accessible to all through free and public programming all designed to both inspire and educate. This includes artist talks, workshops and demonstrations, panel discussions, hands-on public events, exhibitions, and more. For more information on the 20/20 Photo Festival events and programming, visit: https://www.2020photofestival.org/  

The 20/20 Photo Festival is fiscally sponsored by InLiquid, a 501(c)(3)   

 
 

InLiquid mobilizes and makes accessible the visual arts culture of the greater Philadelphia region in order to unite communities, establish wider audiences for artists and designers, facilitate the relationship between artists and collectors, and nurture the public's appreciation of all forms of visual art.  For more information, visit: https://www.inliquid.org/

The 20/20 Photo Festival 2024 sponsors include: Unique Photo, LexJet, Butterfield Editions Fine Art Printing, Philly Home Girls Real Estate, Philadelphia Activities Fund, Shades of Paper, Gaby Heit Creative Direction and Management, Graphic Designer Grace Molteni, and Photo West Gallery.  Programming Partners include TILT Institute for the Contemporary Image, The Print Center, InLiquid, Amie Potsic Art Advisory, The Halide Project, Batikh Batikh, and Gravy Studio. 

 

20/20 Photo Festival Promotional Video

 

Marianne Bernstein, Publication Theatre of the Everyday, 2024 © Marianne Bernstein 2024

 

Call and I Follow, Let Me Die, 1867 (negative), Julia Margaret Cameron, Carbon print, Image and sheet: 13 11/16 × 10 1/2 inches (34.8 × 26.7 cm), From the Collection of Dorothy Norman, 1971, 1971-5-6. Image courtesy of the Philadelphia Museum of Art.

Press Release: Nancy Hellebrand: EVERYBODYBEAUTIFUL, A Solo Exhibition at The Print Center

March 22, 2024

Press Release

Nancy Hellebrand, Studio view © Nancy Hellebrand, 2024

 

Challenging the taboos of aging beauty, a new exhibition reveals an empathetic and uncommon vision


A Featured Exhibition of the city-wide
ReFocus:  Philadelphia Focuses on Women in the Visual Arts Festival

In a world saturated with fleeting ideals of beauty, one artist dares to unveil a profound truth hidden beneath the surface of societal norms. Nancy Hellebrand's latest exhibition at The Print Center, EVERYBODYBEAUTIFUL, is a provocative exploration of the human experience. Through her lens, Hellebrand confronts the fear surrounding aging and loss, inviting viewers on a transformative journey of introspection and empathy. Hellebrand's artistry transcends the everyday offering a poignant meditation on the passage of time and the inherent dignity found within every aging body. The artist challenges perceptions, celebrates diversity, and embraces the timeless allure of true beauty in her groundbreaking work.

 

© Nancy Hellebrand, Untitled, #3479BO (Detail), 2018,  Photogravure print by Cindi Ettinger, 6.5" x 4", 2024

Her story is revealed in her flesh and in how she holds herself - and that’s the matrix for realizing how beautiful she really is. The beauty and loss in each one of our lives is seen in and on our bodies. This is true beauty, and it exists in every one of us.
— Nancy Hellebrand
 

NANCY HELLEBRAND: EVERYBODYBEAUTIFUL

A Featured Exhibition of (re)FOCUS 2024

(re)FOCUS celebrates the 50th anniversary of Philadelphia Focuses
on Women in the Visual Arts/1974, a citywide festival recognizing women artists

 

Exhibition Dates
April 19 - July 20, 2024

Opening Reception
Thursday, April 18th, 2024, 6 - 7:30 PM

Lecture
Thursday, April 18th, 2024, 5:30 - 6 PM

Location

The Print Center
1614 Latimer Street, Philadelphia, PA 19103
printcenter.org/100/

Gallery Hours

Tuesday – Saturday, 11am – 6pm
Free and open to the public

 
 
 
 
 

PHILADELPHIA, PA, USA – Celebrated artist Nancy Hellebrand invites viewers to reconsider conventional standards of the female body with her captivating solo exhibition, Nancy Hellebrand: EVERYBODYBEAUTIFUL, at The Print Center in Philadelphia. Through her poignant photographs of the female form, Hellebrand courageously explores the physical realities of aging women's whole bodies, often forsaken for youthful allure. Printed in miniature with deep, rich tones, her images grant these women a dignified beauty, challenging societal norms. Drawing from her profound belief that a woman's naked body tells her story most directly, Hellebrand collaborates with Cindi Ettinger to present small photogravures and prints on plaster, each portraying the tender and poignant nature of aging with striking clarity. This collection embodies Hellebrand's vision of inclusivity and celebrates the inherent grace found within every stage of life. The exhibition runs from Friday, April 19 to Saturday, July 20, 2024, offering a unique opportunity to engage with Hellebrand's powerful message.  The opening reception will be on Thursday, April 18th from 6:00 - 7:30 PM with a Lecture beforehand from 5:30 - 6:00 pm.

Nancy Hellebrand's artistic journey is deeply rooted in her profound appreciation for the inherent beauty of older women's bodies. Through her lens, she captures the essence of aging flesh, recognizing it as a testament to a life lived. In her exploration, Hellebrand delves beyond the surface, seeking to unveil the shared humanity and individuality present in every nuance of the aging female form. With a deliberate choice to print her photographs in varying sizes, from miniature to larger-than-life, she invites viewers to engage intimately with the full body of the subject, prompting reflections on the complexities of aging and the societal attitudes towards older women.

In a cultural landscape saturated with youth-centric ideals, Hellebrand confronts the pervasive invisibility of older women's bodies head-on. Drawing from her personal experiences of feeling marginalized and overlooked as she aged, she sheds light on the societal dismissal of aging individuals, particularly women. She challenges the prevailing narrative, highlighting the wisdom, resilience, and depth of character that come with age. Hellebrand's work serves as a poignant reminder of the intrinsic value inherent in every stage of life, urging society to embrace the beauty of every single older woman.

With a keen eye for detail and a commitment to authenticity, Hellebrand's photographic series offers an exploration of identity, resilience, and beauty in its truest form. By avoiding conventional portrayals of nudity, focusing instead on the complete body's raw vulnerability, she invites viewers to confront their preconceived notions and embrace a more inclusive definition of beauty.

© Nancy Hellebrand, Photogravures and prints on plaster, printed by Cindi Ettinger

Hellebrand's contributions to the art world extend far beyond the confines of the gallery, as evidenced by her tenure as an educator at Yale University and Parsons The New School for Design. With a career spanning over six decades, Hellebrand's influence is formidable. Her accolades include fellowships from the Guggenheim Foundation and the National Endowment for the Arts, recognizing her unparalleled dedication to the craft. Hellebrand continues to challenge norms and push the boundaries of artistic expression in her newest work presented in this exhibition.

Nancy Hellebrand is an internationally recognized photographer having exhibited at the Museum of Modern Art in NY, The Philadelphia Museum of Art, and Tate Liverpool. Notably, her solo exhibition at the National Portrait Gallery in London marked a historic first for an American artist and a living woman.  Her works grace collections at The Museum of Modern Art in NY, the Philadelphia Museum of Art, and the Yale University Art Gallery. Influenced by luminaries such as Alexey Brodovitch, John Coplans, and Bill Brandt, Hellebrand's artistry is characterized by a commitment to empathy and understanding.  In her ongoing series, "Naked," Hellebrand challenges norms and celebrates the beauty of aging through striking portraits of nude older women, inviting viewers to reconsider conventional ideals.  For more information on Nancy Hellebrand's work, go to: https://www.nancyhellebrand.com/gallery

The Print Center, a nonprofit gallery located in Philadelphia's historic Rittenhouse Square neighborhood, encourages the growth and understanding of photography and printmaking as vital contemporary arts through exhibitions, publications and educational programs. The Print Center is an international voice in print; our global outlook coincides with a strong sense of local purpose. Recognized as a locally significant and internationally respected gallery, an art education provider and an artists' advocate, The Print Center is known for supporting emerging and established artists; developing unusual and intriguing programs that attract a diverse audience; and making art accessible to all members of the community. 

(re)FOCUS: Philadelphia Focuses on Women in the Visual Arts celebrates the 50th anniversary of Philadelphia Focuses on Women in the Visual Arts/1974, a citywide festival recognizing women artists. With over 150 exhibitions, panels, lectures, workshops, and demonstrations, it was one of the first large-scale surveys of the work of contemporary American women artists, signaling the inception of the American Feminist Art Movement. (re)FOCUS 2024 is also a Philadelphia citywide festival showing how women-identified and BIPOC artists have moved from the periphery to the center of the art world. Like its 1974 predecessor, (re)FOCUS is a collaboration among Philadelphia's large, small, and diverse visual arts institutions and takes place from January 27 - May 31, 2024.  For more information: https://refocus2024.org/

Nancy Hellebrand: EVERYBODYBEAUTIFUL, will be on view from Friday, April 19 to Saturday, July 20, 2024, at The Print Center. The opening reception will be on Thursday, April 18th from 6:00 - 7:30 PM with a Lecture beforehand from 5:30 - 6:00 pm.  The exhibition is free and open to the public and will be open every Tuesday through Saturday from 11:00 am to 6:00 pm.  For more information, visit: https://printcenter.org/100/upcoming-exhibitions/

 

Hellebrand in her studio with photogravures from EVERYBODYBEAUTIFUL © Nancy Hellebrand, 2024, Photogravures and prints on plaster, printed by Cindi Ettinger


For more information about the exhibition, click here: https://printcenter.org/100/upcoming-exhibitions/

Banner Image: © Nancy Hellebrand, Photogravures and prints on plaster, printed by Cindi Ettinger

 

Press Release: Amie Potsic: Seeker, Solo Exhibition & Book Release at The SPACE Art Gallery

January 8, 2024

Press Release

Book Cover Image, Amie Potsic: Seeker © Amie Potsic 2024

Amie Potsic, Struggle – Jerusalem, Israel, Chromogenic Print, 19” x 19”, 1996 © Amie Potsic 1996

 

Amie Potsic's Seeker is a fearless, feminist exploration of Israel and India during a time of hope



A featured exhibition of the (re)FOCUS festival, the 50th anniversary of Philadelphia Focuses on Women in the Visual Arts/1974, a citywide festival recognizing women artists

Amie Potsic's 'Seeker' exhibition and new book reveal a transcendent journey.  With fearless exploration, Potsic's feminist lens captures a unique perspective on India and Israel, defying stereotypes and revealing a resilience of tradition.  Created during a year-long solo backpacking expedition across the Holylands India and Israel at the age of 23 in 1995, her work invites reflection on female empowerment, cultural identity, and religious patriarchy.

The exhibition and monograph feature narratives woven through evocative photography, mixed media works, and introspective memoir created over decades. Seeker transcends boundaries, celebrating life, art, and the multifaceted experiences of womanhood.  Seen through today's lens, Potsic's imagery provides a window to a time when Israel was in the midst of the Peace Process and India had yet to see a technology boom.  Her photographs reveal a time when both countries were full of hope despite contradiction.

 

Amie Potsic, Dome of the Rock – Jerusalem, Israel, Chromogenic Print, 19” x 19”, 1996 © Amie Potsic 1996

 

AMIE POTSIC: SEEKER

Solo Exhibition & BOOK RELEASE

by Amie Potsic

A Featured Exhibition of (re)FOCUS 2024
Curated by Christopher Brown


(re)FOCUS celebrates the 50th anniversary of Philadelphia Focuses
on Women in the Visual Arts/1974, a citywide festival recognizing women artists

 

Exhibition Dates 
January 27 - March 30, 2024

Opening Reception:
Saturday, February 3, 2024, 2:00 – 5:00 pm

Book Release & Artist Talk:
Saturday, February 24, 2024, 2:00 – 5:00 pm

Champagne Closing Party and Book Signing:
Saturday, March 23, 2024, 2:00 – 5:00 pm

Location:
The SPACE Art Gallery
749 S. 8th Street, 
Philadelphia, PA 19147

Gallery Hours: 
Wednesday–Friday, 5:00 – 8:00 pm
Saturday, 10:00 am – 4:00 pm and by appointment

 

PHILADELPHIA, PA, USA – Transcending boundaries through an inspired adventure, Amie Potsic: Seeker is a solo exhibition and new book spotlighting the visionary feminist photography of contemporary artist Amie Potsic.  Seeker invites audiences into Potsic's transformative odyssey, capturing the essence of her year-long solo backpacking expedition across India and Israel at the age of 23 in 1995.  Embracing a female gaze, Potsic defies the stereotype of the heroic male photographer, wielding her Hasselblad camera and over 100 rolls of film to traverse the Negev Desert and scale the Himalayas.  Her lens not only documented visual splendor but also unveiled the complexities of human dignity and the vital role of women within their communities.  Seen through today's optics, Potsic's imagery provides a window to a time when Israel was in the midst of the Peace Process and India had yet to see a technology boom.  Her photographs reveal a time when both countries were full of hope despite contradiction. 

The exhibition runs from Saturday, January 27 to Saturday, March 30, 2024, at The SPACE Art Gallery located at 749 S. 8th Street, Philadelphia, PA 19147 The Opening Reception is on Saturday, February 3rd from 2:00 pm to 5:00 pm and an Artist Talk and Book Release are scheduled for Saturday, February 24, from 2:00 pm to 5:00 pm. The Champagne Closing Party and Book Signing will be held on Saturday, March 23, from 2:00 pm to 5:00 pm which will include champagne and light fare. For further information, visit https://www.amiepotsicartadvisory.com/events/2024/1/27/amie-potsic-seeker-the-space-art-gallery-2024.

Amie Potsic: Seeker presents an array of colorful and dynamic original photographs and contact sheets joined with new mixed media works and a monograph.  The artwork is distilled from decades of introspection on themes surrounding female empowerment, gender politics, and religious patriarchy. Curated by Christopher Brown, this exhibition captivates and provokes thoughtful reflection. It will be accompanied by public receptions and engaging artist talks, offering visitors a deeper understanding of Potsic's adventurous exploration.

“Traveling on my own for a year with nothing but a backpack, my Hasselblad camera, and over 100 rolls of film, I embarked on the adventure of a lifetime that would take me across the Holylands at a time when both India and Israel were full of hope and transformation.  Being on my own in those years in those countries came with a lot of risk.  Yet, the challenges were greatly outweighed by the rewards,” Potsic reflects.

Photographing for a year uninterrupted as well as having an empathetic nature allowed Potsic to capture many moments of intimacy and understanding with the people she encountered.  Interested in how religion affected people's sense of identity and culture in the eastern Holyland of India where Hinduism and Buddhism began, her journey took her throughout the country for six months.  While there, she volunteered in Mother Teresa's homes for the ill in Calcutta meeting Mother Teresa herself.  She also had an audience with the Dalai Lama in Dharamsala where he remains in exile from Tibet.  While India was full of wonder and discovery, it was also oppressively influenced by a brutal subjugation of women and poverty, truly a land of extremes. 

Then drawn to understand how people's lives are shaped by religion in the western Holyland of Israel, the birthplace of Judaism, Christianity, and Islam, she flew directly to Tel Aviv from New Dehli and spent 5 months photographing.  At the time, Israel was in the midst of the Peace Process so Potsic was able to travel freely around the country and to visit many location now inaccessible, including the Dome of the Rock mosque located in Jerusalem and the burial place of the patriarchs in Hebron.  While terrorism was prevalent, coexistence was a reality and peace seemed just around the corner.

In the mid-1990's, Both India and Israel were celebrating their 50th anniversary of independence from British Colonial rule.  Both countries were created through the indigenous people seeking self-determination and establishing their own states around the time of Britain's withdraw from its former colonies.  In the years since, both countries have evolved greatly but with many things remaining the same.  While the technology boom and export of Bollywood have catapulted India to the world stage, their culture continues to subjugate women and girls and to struggle with generational poverty.  Similarly, while Israel has evolved a great deal into a technology innovator and the only democracy in the Middle East, they continue to be challenged by violent attacks of terrorism and never-ending land disputes.  Additionally, because religion in these Holylands is administered by patriarchal systems, women's power is further minimized.  The starting points of the world's major religions, both countries continue to redefine themselves in a modern world.

Amie Potsic is recognized as a pioneering photographer and installation artist whose work transcends cultural, personal, and natural phenomena, propelling her on solitary photographic expeditions across the globe. Her artistry has graced esteemed international venues such as the Art Park in Rhodes, Greece; Museo de Arte Moderno de Bogotá, Colombia; The Royal College of Art, London, England; and a host of renowned galleries and museums across the United States.

Potsic's accolades include the prestigious Best in Show for her contribution to Experimental Photography Today at The Delaware Contemporary museum in 2015. She also featured prominently in Keystone 1, the inaugural Pennsylvania Photography Biennial, hosted at the Silver Eye Center for Photography in Pittsburgh that same year. Holding an MFA in Photography from the San Francisco Art Institute and BA degrees in Photojournalism and English Literature from Indiana University, she has carved a distinguished path in academia, artistry, and media.

Amidst her accomplished career, Potsic has enriched the cultural landscape of Philadelphia, exhibiting at prominent institutions including The Woodmere Art Museum, The National Constitution Center Museum, and James Oliver Gallery. Her published works have graced the pages of reputable publications such as The San Francisco Chronicle and The Philadelphia Inquirer, while her engaging lectures and radio broadcasts of Art Watch Radio and Podcast on WCHE 95.3 have resonated with audiences across Greater Philadelphia.

Seeker is a featured exhibition of the (re)FOCUS festival, the 50th anniversary of Philadelphia Focuses on Women in the Visual Arts/1974, a citywide festival recognizing women artists.  Potsic is also curating a solo exhibition of celebrated Philadelphia artist, Arlene Love, for the refocus festival at the Interactive Museum for Contemporary Art (IMOCA).  Potsic's contributions as both an artist and curator in the festival are noteworthy.

Seeker: An Extraordinary Photographic Odyssey in the Holy Lands is a new monograph by Amie Potsic featuring photographs created on the artist's year-long solo photographic odyssey in India and Israel at the age of 23 in 1995. Defying the stereotype of the heroic male photographer, Potsic traversed the Negev Desert and scaled the Himalayas with her Hasselblad camera and over 100 rolls of film. Through a female gaze, she documented visual splendor, human dignity, and the role of women in their communities. Her lens revealed a multifaceted experience of the depth of ritual and resilience of tradition in the eastern and western Holylands.  The monograph features an introduction written by Stephen Perloff, Founder and Editor of The Photo Review.

"Finding myself alone in India with just a backpack, my Hasselblad camera, and 100+ rolls of film, I was terrified yet certain. This was no accident. Despite my well-intended plans, the universe had something bigger and better in mind. "
- Amie Potsic

(re)FOCUS: Philadelphia Focuses on Women in the Visual Arts, a citywide festival celebrating the 50th anniversary of Philadelphia Focuses on Women in the Visual Arts/1974, will run from January 27 to May 31, 2024. Showcasing over 150 exhibitions, panels, lectures, workshops, and demonstrations, (re)FOCUS 2024 stands as a testament to the ascendance of women-identified and BIPOC artists from the periphery to the heart of the art world. Collaborating across Philadelphia's diverse visual arts institutions, this festival embodies the spirit of the American Feminist Art Movement's inception. For more information, visit https://refocus2024.org

The SPACE Art Gallery, Philadelphia, established 2018, specializes in fine art photography and design. The physical area is impeccably presented, with a bespoke jigsaw hardwood floor, a viewing bench, and natural lighting. In the curated collection of functional arts, the pieces are handmade by artisans across the country. The materials range from wood to glass and from silver to resin in a wide variety of price-points. The photography captures a range of styles and variety of developmental processes from emerging and established artists. For more information, visit: https://www.thespacephiladelphia.com/ 

Amie Potsic: Seeker will be on view at The SPACE Art Gallery, located at 749 S. 8th Street, Philadelphia, PA 19147, from January 27 to March 30, 2024. The exhibition's key events include the Opening Reception on Saturday, February 3, 2024, from 2 pm to 5 pm; the Artist Talk & Book Release on Saturday, February 24, 2024, from 2 pm to 5 pm; and the Champagne Closing Party and Book Signing is on Saturday, March 23, 2024, from 2 pm to 5 pm which will include champagne and light fare. Gallery hours will be Wed-Fri 5-8 pm, Sat 10-4 pm, and by appointment.

For further information and to explore Amie Potsic's work, go to: https://www.amiepotsicartadvisory.com/art-history/amiepotsic  and http://amiepotsic.com/

 

Amie Potsic, Puja – Benares, India, Chromogenic Print, 19” x 19”, 1996 © Amie Potsic 1996

 

Amie Potsic, Pilgrims – Tirupati, India, Chromogenic Print, 19” x 19”, 1996 © Amie Potsic 1996


For more information about the exhibition, click here: Amie Potsic: Seeker, a Solo Exhibition at The SPACE Art Gallery

Banner Image: Amie Potsic, Puja – Benares, India, Chromogenic Print, 19” x 19”, 1996 © Amie Potsic 1996

 

Press Release: Arlene Love: Selections from Seven Decades, A Solo Exhibition at iMOCA

January 5, 2024

Press Release

© Arlene Love, Lilith (two views), 1981, Resin and fiberglass on steel stand, 81 x 36 x 26 inches

 

Breaking Boundaries: Arlene Love's Trailblazing Artistry Across Seven Decades at iMOCA


A Featured Exhibition of the city-wide
ReFocus:  Philadelphia Focuses on Women in the Visual Arts Festival

The inaugural exhibition at the Interactive Museum for Contemporary Art (iMOCA) will be a solo exhibition by the legendary Philadelphia artist, Arlene Love.  A featured presentation of the city-wide ReFocus:  Philadelphia Focuses on Women in the Visual Arts festival, the show will highlight Love's impactful 70-year career.  Arlene Love: Selections from Seven Decades will spotlight Love's pioneering sculpture in resin, feminist works in leather, as well as her figurative drawing and photography. Love's enduring fascination with the figure, exploring its physical, erotic, and political nuances since her debut sculpture, has been the cornerstone of her artistic journey. Her pieces, inspired by feminist ideologies and informed by her personal adversities, evoke a powerful interplay of strength and vulnerability. Through poignant portrayals of the corporeal, Love's art captures the essence of intimacy, violence, sorrow, and joy.

 

© Arlene Love, Hipolita, resin, 65 x 18 x 23 inches

In 1970, the Women’s Movement gave us the vocabulary to express what we experience. This new raw energy freed me to use the iconography of bondage as my feminist statement on the religious, political, social and cultural subjugation of women.
— Arlene Love

Arlene Love: Selections from Seven Decades


A Featured Exhibition of (re)FOCUS 2024
Curated by Amie Potsic


(re)FOCUS celebrates the 50th anniversary of Philadelphia Focuses
on Women in the Visual Arts/1974, a citywide festival recognizing women artists

 
 

Exhibition Dates
February 9 - March 10, 2024

Opening Reception
Friday, February 9th, 2024, 4:30 – 8 pm

Artist Talk and Reception
Friday, March 1st, 4:00 – 8:00pm
*Artist's Talk: 7:00 – 8:00pm

Closing Reception
Sunday, March 10th, 12:00 – 4:00pm

Location

Interactive Museum of Contemporary Art (iMOCA)
1230 S. Broad St.
Philadelphia, PA 19146

Gallery Hours

By appointment, and Fridays 11 am – 6 pm

 

PHILADELPHIA, PA, USA – Celebrated artist Arlene Love's unparalleled career spanning over seven decades takes center stage in a provocative exhibition, Arlene Love: Selections from Seven Decades, curated by Amie Potsic.  A featured presentation of the city-wide ReFocus:  Philadelphia Focuses on Women in the Visual Arts festival, the show unveils Love's pioneering sculptures in resin, feminist works in leather, evocative figurative drawings, and photography. Love's ability to depict the human form with profound physicality, sensuality, and poignant political commentary creates an impactful experience, where strength and vulnerability intertwine.  The public is invited to free receptions and artist lectures, providing deeper insights into Love's prolific career. The exhibition will run from Friday, February 9 to Sunday, March 10, 2024, at the Interactive Museum of Contemporary Art (iMOCA) in Philadelphia. The Opening Reception is on February 9th from 4:30 pm to 8:00 pm and an Artist Talk and Reception are scheduled for Friday, March 1, from 4:00 pm to 8:00 pm, with the artist's talk taking place from 7:00 pm to 8:00 pm. The Closing Reception will be held on Sunday, March 10, from 12:00 pm to 4:00 pm.

Arlene Love's fascination with the human figure and its expression of physicality, sensuality, and political commentary has been a driving force since the inception of her artistic journey. Inspired by the language of feminism and shaped by her own life experiences, Love's work captures strength and vulnerability in the portrayal of corporeal experiences ranging from intimacy and joy to violence and sorrow.

Curated by Amie Potsic, CEO and Principal Curator of Amie Potsic Art Advisory, this exhibition creates a unique and thought-provoking experience. "It is an honor to curate this exhibition of Arlene Love's powerful and ambitious work.  Inspired by feminist theory and politics in the 1970's, Love's work could not be more timely today as women's reproductive rights have come under attack again in the United States.  Her pioneering sculptures of the female form in resin and leather are incredibly unique and convey the power of reclaiming one's body and human rights," says Potsic.

Visitors will have the opportunity to immerse themselves in the powerful narratives woven by Love's monumental body of work.  Public receptions and artist lectures will accompany the exhibition, providing attendees with a deeper understanding of Love's creative process and the themes that have shaped her prolific career.

Arlene Love is a trailblazing figure in the world of art, known for her award-winning resin sculptures, feminist sculptures in leather, and street photography.   With a diverse portfolio of public art across Philadelphia, including the Kimmel Cultural Campus and Rittenhouse Square, Love has created an indelible mark on the city's cultural landscape.

Caryn Kunkle, Director of the Interactive Museum of Contemporary Art (iMOCA) explains, "it is incredibly powerful to host this artist as our inaugural exhibition in our new location.  Love represents a generation of women who had to proverbially swim upstream to pursue their art career.  Because of Love and her peers, women today are more readily embraced by museums and collectors.  There is an ancient saying, 'women hold up half the sky,' and I feel that is powerfully felt in Love's work."

For over forty years, Love's focus on sculpture has led to solo exhibitions from coast to coast, showcasing her feminist works in leather, bronze, and resin. Her pieces have graced prestigious institutions such as the Museum of Modern Art in New York, the Boston Museum of Art, and the Sculpture Center in New York City, among others.  Love's sculptures, drawings, and photography are held in esteemed collections including The Philadelphia Museum of Art, the James A. Michener Museum, the University of Scranton, and Franklin & Marshall College.

© Arlene Love; Portrait of Arlene Love, Circa 1987

Later in her career, Love turned her attention to drawing while she lived in a quaint mountain village near Oaxaca, Mexico with her artist husband, Lee Lippman. Her drawings, etchings, and encaustics garnered acclaim in Oaxaca galleries, while her portfolio of etchings found a home in the Linda Lee Alter collection at the Pennsylvania Academy of the Fine Arts.  During her time in Mexico, Love's passion for photography was ignited, leading to an extensive collection of striking street photography and candid portraits. This passion continued upon her return to the U.S. ten years later, with her photograph "Old Lee" finding a permanent place in the collection of the Philadelphia Museum of Art.

Love's remarkable career has been punctuated by over thirty solo exhibitions, which featured her prowess in sculpture, drawing, and photography. She has received numerous awards and grants from esteemed institutions including the Pennsylvania Council on the Arts, Leeway Foundation, Temple University, and the Louis Comfort Tiffany Foundation.

(re)FOCUS: Philadelphia Focuses on Women in the Visual Arts celebrates the 50th anniversary of Philadelphia Focuses on Women in the Visual Arts/1974, a citywide festival recognizing women artists. With over 150 exhibitions, panels, lectures, workshops, and demonstrations, it was one of the first large-scale surveys of the work of contemporary American women artists, signaling the inception of the American Feminist Art Movement. (re)FOCUS 2024 is also a Philadelphia citywide festival showing how women-identified and BIPOC artists have moved from the periphery to the center of the art world. Like its 1974 predecessor, (re)FOCUS is a collaboration among Philadelphia's large, small, and diverse visual arts institutions and takes place from January 27 - May 31, 2024.  For more information: https://refocus2024.org/

Arlene Love
is an award-winning pioneer in resin sculpture and accomplished painter and photographer with numerous public art installations across Philadelphia. For forty years, Love focused on sculpture, with solo shows from New York to California creating feminist work in leather, bronze, and resin. Her work has been exhibited at the Museum of Modern Art (NY), the Boston Museum of Art, the Sculpture Center (NYC), and the Herbert F. Johnson Museum of Cornell University.  Love's sculpture is in the collections of The Philadelphia Museum of Art, the James A Michener Museum, the University of Scranton, and Franklin & Marshall College.  Love's focus later moved to drawing during the dozen years she and her husband lived in a small mountain village near the city of Oaxaca, Mexico. Her drawings, etchings, and encaustics were exhibited in Oaxaca galleries. While in Mexico, she also worked in a print taller and created a portfolio of etchings, which is in the Linda Lee Alter collection at the Pennsylvania Academy of the Fine Arts.  Meanwhile, Love began taking photographs in her Mexican village and in neighboring markets - street photography and candid portraits became her sole passion and continued when she returned to the U.S.  An alumnus of the Tyler School of Art at Temple University, Love has had more than thirty solo shows of sculpture, drawings, and photographs, and is the recipient of awards and grants from the Pennsylvania Council on the Arts, Leeway Foundation, Temple University, and the Louis Comfort Tiffany Foundation.  For more information on Arlene Love's work go to: https://www.arleneloveartist.com/.

The Interactive Museum of Contemporary Art (iMOCA) is an interactive museum of contemporary art based in Philadelphia focusing on local, living art practices of all kinds.  Founded in 2011, the museum focuses on connecting local artists to local resources in personal and direct ways.  iMOCA's new location is an historic home on South Broad Street in Philadelphia featuring an art gallery and artist residency facilities.  The museum's inaugural exhibition will be a featured presentation of the (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts festival.  For more information on the exhibition: https://www.amiepotsicartadvisory.com/events/2024/2/9/arlene-love-solo-exhibition-imoca

Amie Potsic
is the CEO and Principal Curator of Amie Potsic Art Advisory and Host of the Art Watch Radio Show & Podcast on WCHE 95.3.  She received her MFA in Photography from the San Francisco Art Institute and BAs in Photojournalism and English Literature from Indiana University, graduating Phi Beta Kappa.  She also completed the Comprehensive Appraisal Studies Program of the Appraisers Association of America and is a fine art appraiser.  She has held faculty appointments at the University of California at Berkeley and the San Francisco Art Institute and been a guest lecturer at the International Center of Photography, Tyler School of Art, and the Delaware Contemporary.  She has exhibited her own award-winning artwork internationally and curated exhibitions for institutions including the Pittsburgh Center for the Arts, Rowan University Art Gallery, and the Philadelphia Museum of Art.  In addition to curating this exhibition, Potsic will also present a solo exhibition of her own artwork for (re)FOCUS: Philadelphia Focuses on Women in the Visual Arts at The Space Art Gallery.  For more information on the advisory:  https://www.amiepotsicartadvisory.com/

Arlene Love: Selections from Seven Decades,
will run from Friday, February 9 to Sunday, March 10, 2024, at the Interactive Museum of Contemporary Art (iMOCA). The opening reception will take place on Friday, February 9, 2024, from 4:30 pm to 8:00 pm, offering attendees the opportunity to meet the artist and engage with her groundbreaking work.  An artist talk and reception are scheduled for Friday, March 1, from 4:00 pm to 8:00 pm, with the artist's talk taking place from 7:00 pm to 8:00 pm. The closing reception will be held on Sunday, March 10, from 12:00 pm to 4:00 pm.  The exhibition will be open by appointment and on Fridays from 11:00 am to 6:00 pm.  For more information, visit: https://refocus2024.org/interactive-museum-of-contemporary-art

 

© Arlene Love, The Bride Stripped Bare, 1981, leather over resin/fiberglass, 38 x 18 x 12 inches


For more information about the exhibition, click here: Arlene Love: Selections from Seven Decades

Banner Image: © Arlene Love; Portrait of Arlene Love, Circa 1987